Excellent idea. While I liked Elkins collection of essays on Art Criticism, I 
think he really struggles to understand the internet in any form. His thought 
that nobody reads art criticism doesn't seem to extend as far as blogs or 
various web-based journals.. God knows what he makes of net.art?

M


On 21 Aug 2011, at 15:18, Michael Szpakowski wrote:

> Hi
> If you make still images of any sort with the intention of making art and 
> post them to Flickr,
> please join the new Flickr group: Bollocks to James Elkins.
> http://www.flickr.com/groups/bollocks_to_james_elkins/
> and add a single image...
> I'm pasting the rationale ( which is also on the group page) below.
> If you don't use Flickr but see what I'm on about consider joining and 
> posting an image....
> cheers
> michael
> PS if it takes off I'd like to think about organising a physical show of the 
> same name, no promises of course, lets see what happens...
>  
> *****
> In his new book on photography (‘What Photography Is’, London and New York 
> 2011 ISBN 978-0-415-99569-6) James Elkins, a writer always worth reading and 
> to some extent an art world iconoclast (though at every critical instant 
> perhaps a little less so that he imagines himself to be) gives vent to a 
> magisterial rant about those who post on Flickr, which is characterised by 
> both a sad lack of imagination and an unpleasant vein of snobbery.
>  
> It climaxes:
> "If you are active on Flickr, if you read popular photography magazines, if 
> you enjoy National Geographic, if you use Photoshop to create effects, then 
> this is a critique of your work. It may not seem pertinent, buried as it is 
> in the middle of a book on many other things, but this is what a critique of 
> your work looks like."
> I particularly relish the idea that anyone who chooses to use Flickr or 
> Photoshop, merely by that choice, is not only cast out from the 
> photographic/art world elect but is implicitly also rendered incapable of 
> recognising the majestic subtleties of Elkin’s thought without some nose 
> rubbing... Remember, just so you know, "this is what a critique of your work 
> looks like."
>  
> The banality of a criterion that is solely based upon the use or otherwise of 
> a technique or channel (a bureaucrat’s delight: "Photoshop!? Tick the box 
> here: not art!") won’t be lost on anyone with a little bit of wit, academic 
> or no, even we plebeians, above whom Elkins floats , Zeppelin-like, in such 
> majestic and Olympian disdain.
>  
> The criteria for rejecting a putative work of art cannot be solely how it is 
> made and whether any technique employed has at any time been clichéd or 
> abused. Such shortcuts are no substitutes for extended and fearless looking, 
> thinking and argument. The mark of artistic innovation is often precisely 
> that it elevates the previously unnoticed or despised technique, format or 
> subject.
> In the Goldberg Variations, after some of the most sublime and intellectually 
> demanding contrapuntal writing ever, Bach finishes with what? - A drinking 
> song.
>  
> But there’s more to it. Elkins doesn’t really believe that the ignorant 
> Photoshoppers &c will really be reading his book and hence being directly 
> addressed by him. The diatribe and its climactic paragraph are a nod and a 
> wink to those on the inside, an invitation to join in a sneer at the 
> intellectually unwashed.
>  
> What is also manifested is a fear of pollution by rubbing shoulders too 
> closely with those non-insider masses. Despite Elkin’s brave words about the 
> breadth of his address to photography (and of course, implicitly, the signal 
> failure of anyone else to see why this matters or to do likewise effectively) 
> there are places he fears to tread. In the book he coldly contemplates, at 
> length, the foulest images of execution by torture but runs away from the 
> snapshot and the network.
>  
> Those of sterner stuff, who consider themselves to be making art and who use 
> Flickr as a conduit for that work are invited to join this group and post one 
> single example of their work. (You may replace/rotate but only one at any one 
> time). Photoshoppers and fans of National Geographic alike are welcome as is 
> anyone who photographs with the intention of making art and who feels that 
> the networked environment of Flickr is a useful place to post and share their 
> work.
>  
> The only criterion is, I repeat, ‘Do you consider yourself, in any fashion, 
> to be attempting works of photographic art?’ If so, post one here and join us 
> in saying, collectively, ‘Bollocks to James Elkins!’.
> _______________________________________________
> NetBehaviour mailing list
> [email protected]
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour

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