hi james,
another explanation is that grant application writing is a form of 
planning; it would be interesting to know how many of those unsuccessful 
applications are in fact still realised - in my case definitely more 
than half of my unsuccessful applications are for projects that go ahead 
in some shape or form regardless of the funding outcome, & the 
application process is an important part of the planning & development 
process.

that said, i'm sure i'd still be better off finanically if i gave up 
applications & worked part-time as a proofreader & part-time as a 
self-funded artist ...

h : )

On 7/11/11 1:22 PM, James Wallbank wrote:
> Hello Marc,
>
> Another way to interpret this statistic is this:
>
> If you're an averagely competent grant-writer, with a 2.5% success rate
> each artist will have to apply 40 times for each success.
>
> How long does it take to prepare each grant application? (I'd suggest at
> least 3 days to get together a credible, worked out plan - even for a
> small grant.) 3 x 40 = 120 days of grant preparation work.
>
> How much money does each grant application pay out to the artist - as
> distinct from for the direct costs associated with the proposition? (I'd
> guess hundreds, not thousands of pounds.) Let's say £1000 for good measure.
>
> £1000 for 120 days of work?
>
> Ahhh! But the Arts Council does not count the cost of the time invested
> by artists who they do NOT fund. This is called "Externalising Costs".
> It defines that time as outside their frame of reference, and outside
> their responsibility. It is, of course, a clever mechanism, but deeply
> intellectually and morally flawed.
>
> So why do ANY individual artists bother, when temping as a cleaner (or
> other minimum wage job) is a better economic proposition for raising
> cash for their next arts project?
>
> * Perhaps artists are deluded gamblers, who all feel that they're
> luckier or more skillful than average.
>
> * Perhaps artists feel that getting the seal of Arts Council approval
> will increase their chances of drawing down other funding, or will
> increase the perceived symbolic significance of their art.
>
> * Perhaps artists imagine that they're building up a stock of "symbolic
> capital" - becoming more and more famous, and that at some future point
> they'll be able to cash in their hard-won celebrity for actual cash.
>
> * Perhaps individual artists are only investing minutes in these
> applications - which are REALLY generated by galleries or other
> institutions, and they are just called upon for a signature.
>
> * Perhaps artists are, in general, just not very bright, with only
> marginal understanding of "numbers, money and bread-head stuff".
>
> Are there other explanations?
>
> I direct you, and others, to the refreshingly frankly titled book "Why
> are Artists Poor?" by Hans Abbing. Abbing is a professor of economics
> (part time) and an artist (part time) and he wonders why it is that he
> continues to do art even when it does not pay, while he wouldn't
> consider commuting to Amsterdam University daily and teaching students
> should that institution cease to provide him with a paycheck.
>
> Best Regards,
>
> James
> =====
>
> On 07/11/11 11:45, marc garrett wrote:
>> Arts funding: why so many artists don't apply for the money.
>>
>> Dany Louise introduces a report she wrote on arts funding that reveals
>> some surprising statistics.
>>
>> "The key finding is that surprisingly few individual artists apply for
>> money in their own right and even fewer are successful. In England, less
>> than 5% of artists apply in their own name every year and of those, less
>> than 2.5% are successful. This means that there is little direct funding
>> being given to artists to pursue and develop their own projects, under
>> their own control: under 20% of available funding for the visual arts in
>> England, 14% for Northern Ireland and around 18% for Scotland and Wales
>> in 2009-2010."
>>
>> http://www.guardian.co.uk/culture-professionals-network/culture-professionals-blog/2011/nov/04/arts-funding-artists-dont-apply
>>
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helen varley jamieson: creative catalyst
[email protected]
http://www.creative-catalyst.com
http://www.avatarbodycollision.org
http://www.upstage.org.nz
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