was alcohol involved?


________________________________
 From: Tamiko Thiel <[email protected]>
To: NetBehaviour for networked distributed creativity 
<[email protected]> 
Sent: Thursday, March 1, 2012 12:38 PM
Subject: Re: [NetBehaviour] Transmediale and the power of a director
 
Hi Mez, Hi Kath,

I really don't know what he finds "offensive" about my work or about me, 
I hadn't ever had any communication with him before the incident. That's 
also what puzzled me about how emotional he seemed about it, which 
seemed too much for it to be simply a performance - and strange because 
we hadn't interacted before.

There were "planned interventions" during the festival - did he react in 
the same way to the artists who did those? If he reacted in the same way 
to them I could believe that he was "performing the question from the 
curatorial statement." If he did not, I would guess that it was a very 
personal and probably honest reaction to me and my work.

take care, Tamiko



Am 01.03.2012 04:28, schrieb Kath O'Donnell:
> do you think he might have been actually forcing (performing?) the
> question from the theme/curatorial statement? ie stating something is
> offensive/incompatible then seeing how people react? extending the
> conference/session into the ether/post-discussions to see what happens
> next.
>
>
> /"Contrary to the fear of the incompatible, so prevalent in the age of
> cloud-computing, the festival raises the question of *what happens when
> incompatibility is brought to the fore rather than hidden away in the
> dark underbelly of digital culture?*"
> http://mission-base.com/tamiko/AR/tm2012.html
> /
>
> KG: "Yeah, if I may "intervene" uh, first maybe we can switch the screen
> instead of seeing this really, uh, for me offensive AR art, he he, this
> is a re-intervention into the Transmediale, so - "
>
>
>
>
> On 1 March 2012 12:04, mez breeze <[email protected]
> <mailto:[email protected]>> wrote:
>
>     I still find this disturbing = not at all satisfactory in terms of
>     an adequate explanation.
>
>     Has the concept of "offense" been unpacked by Gansing? Why does he
>     find this particular AR work [and by proxy, yourself Tamiko]
>     "offensive"?
>
>     Chunks,
>     mez
>     @netwurker
>
>
>
>     On Thu, Mar 1, 2012 at 11:29 AM, Tamiko Thiel <[email protected]
>     <mailto:[email protected]>> wrote:
>
>         Dear Netbehaviorists,
>
>         Many thanks for your interest in the incident during the
>         "Videomakers
>         Unite!" panel discussion at the Transmediale 2012.
>         http://www.transmediale.de/node/20679
>
>         Thank you Ruth, for having forwarded my email to the list in the
>         first
>         place, and my apologies for taking so long to get back to you
>         all! I was
>         asked not to post anything more until we had made multiple
>         efforts in
>         private conversations to clear up what had happened, and give
>         Kristoffer
>         Gansing a chance to respond. At this point however it is clear
>         that he
>         and I have diametrically opposite perceptions of what happened.
>
>         It turns out that he does not find augmented reality art
>         offensive, just
>         me and my art. I have no problem with that.
>
>         I had been asked by Kathy Rae Huffman, an invited panelist and
>         internationally renowned curator, to prepare a website and give
>         a live
>         demo of my work, as part of the "open conversation" character of the
>         "Videomakers Unite!" panel, as previously arranged with the
>         moderator.
>
>         My perception at this point is that Gansing felt that if he
>         didn't like
>         my art and the manner in which I presented it, it was within his
>         right
>         as festival director to overrule the moderator and the invited
>         panelist,
>         and stop my presentation. At a festival that was explicitly
>         celebrating
>         25 years of interventionist and activist art, I found it to be a
>         very
>         surprising exercise of power and very ironic in the context of the
>         curatorial statement, which said:
>
>         "Contrary to the fear of the incompatible, so prevalent in the
>         age of
>         cloud-computing, the festival raises the question of what
>         happens when
>         incompatibility is brought to the fore rather than hidden away
>         in the
>         dark underbelly of digital culture?"
>
>         I have set up a webpage with my perception of what happened,
>         with cue
>         times and a link to the audio file (all 2.5 hours of it, thanks
>         to Sonja
>         Schachinger!) in case anyone wants to form their own opinion.
>        http://mission-base.com/tamiko/AR/tm2012.html
>
>         Take care, and thanks again for the support - Tamiko
>
>         --
>           Tamiko Thiel
>           Email: [email protected] <mailto:[email protected]>
>           Website: http://www.mission-base.com/tamiko/
>
>
>           Venice Biennial 2011 - Manifest.AR guerrilla AR Infiltration
>        http://manifestarblog.wordpress.com/thiel_venice-2011/
>
>           Istanbul Biennial 2011 - official collateral exhibit
>        http://mission-base.com/tamiko/AR/ii/images.html
>
>
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>        [email protected] <mailto:[email protected]>
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>
>
>
>
>     --
>     Reality Engineer>
>     Synthetic Environment Strategist>
>     Game[r + ] Theorist.
>     ::http://www.lulu.com/product/paperback/human-readable-messages/17341088
>     ::
>
>
>
>     _______________________________________________
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>
>

-- 
  Tamiko Thiel
  Email:  [email protected]
  Website: http://www.mission-base.com/tamiko/


  Venice Biennial 2011 - Manifest.AR guerrilla AR Infiltration
  http://manifestarblog.wordpress.com/thiel_venice-2011/

  Istanbul Biennial 2011 - official collateral exhibit
  http://mission-base.com/tamiko/AR/ii/images.html


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