Thursday 1 November 8pm GMT

*Huis Clos / No Exit*  - *A networked performance Exposition on the New
Aesthetic*

With Annie Abrahams, Ruth Catlow, Ursula Endlicher, Nicolas Frespech and
Igor Stromajer*
*streaming interface Ivan Chabanaud
technical assistance Jan de Weille

*Huis Clos / No Exit - Beyond (spectacle) *is a serie of three performances
commissioned by ELMCIP for the *Remediating the Social*  conference at the
Edinburgh College of Art, University of Edinburgh, in collaboration with
New Media Scotland and University College Falmouth

The project is a follow-up of Huis Clos / No Exit – On
Translation<http://bram.org/huisclos/ontranslation/indexfr.html>presented
on 29/05/2010 at NIMk in Amsterdam.

*Three performances / **Three public preparation sessions *

Performances :
*A networked performance Exposition on the New Aesthetic*
*1 November 8pm GMT
*Edinburgh College of Art
free entrance without reservation

and online at huisclos.mosaika.tv <http://huisclos.mosaika.tv/index.html> -
* *(find you local
time)<http://www.timeanddate.com/worldclock/fixedtime.html?msg=9&iso=20121101T20&p1=136&am=20>

 <http://bram.org/huisclos/salonfr.html>*2 and 3 November 3.30pm GMT
*Edinburgh College of Art* *
free entrance without reservation
and online at huisclos.mosaika.tv <http://huisclos.mosaika.tv/index.html>

More information, including an image and a .pdf of the first preparation :
bram.org/huisclos/beyond <http://bram.org/huisclos/beyond/index.html>
Information en français <http://bram.org/huisclos/beyond/indexfr.html>.
 <http://bram.org/huisclos/beyond>

Preparation 1 online  :  25 October 6pm GMT
Preparation 2 online :  2 November 2pm GMT (find you local
time)<http://www.timeanddate.com/worldclock/fixedtime.html?msg=9&iso=20121102T14&p1=136>
Preparation 3 online :  3 November 2pm GMT (find you local
time)<http://www.timeanddate.com/worldclock/fixedtime.html?msg=9&iso=20121103T14&p1=136>

Using only their mother tongue the five artists will challenge each other
into collective action while trying to overcome language and cultural
differences. Their communication is handicapped by this constraint - which
means they will have to invent a new language based on some common words,
codes, the technical possibilities of streaming and their bodies.
**

*Will we choose to use more or even less rules? Will we need a leader or
continue without one? Maybe Ruth will become a leader naturally because she
is only one authorized to use English, the language understood by all. What
can we share? How can we position ourselves? What kind of voice will be
possible?*

*Networks are fragile.*
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