I saw this afternoon's work & it was great. I believe there's another tomorrow
at 3:30 GMT ? Definitely worth catching....
michael
________________________________
From: Annie Abrahams <[email protected]>
To: NetBehaviour for networked distributed creativity
<[email protected]>
Sent: Monday, October 29, 2012 3:31 PM
Subject: [NetBehaviour] A networked performance Exposition on the New
Aesthetic. 1 November 8pm GMT
Thursday 1 November 8pm GMT
Huis Clos / No Exit - A networked performance Exposition on the New Aesthetic
With Annie Abrahams, Ruth Catlow, Ursula Endlicher, Nicolas Frespech and Igor
Stromajer
streaming interface Ivan Chabanaud
technical assistance Jan de Weille
Huis Clos / No Exit - Beyond (spectacle) is a serie of three performances
commissioned by ELMCIP for the Remediating the Social conference at the
Edinburgh College of Art, University of
Edinburgh, in collaboration with New Media Scotland and University
College Falmouth
The project is a follow-up of Huis Clos / No Exit – On Translation presented on
29/05/2010 at NIMk in Amsterdam.
Three performances / Three public preparation sessions
Performances :
A networked performance Exposition on the New Aesthetic
1 November 8pm GMT
Edinburgh College of Art
free entrance without reservation
and online at huisclos.mosaika.tv - (find you local time)
2 and 3 November 3.30pm GMT
Edinburgh College of Art
free entrance without reservation
and online at huisclos.mosaika.tv
More information, including an image and a .pdf of the first preparation :
bram.org/huisclos/beyond
Information en français.
Preparation 1 online : 25 October 6pm GMT
Preparation 2 online : 2 November 2pm GMT (find you local time)
Preparation 3 online : 3 November 2pm GMT (find you local time)
Using only their mother tongue the five artists will challenge each other into
collective action while trying
to overcome language and cultural differences. Their communication is
handicapped by this constraint - which means they will have to invent a
new language based on some common words, codes, the technical
possibilities of streaming and their bodies.
Will we choose to use more or even less rules? Will we
need a leader or continue without one? Maybe Ruth will become a leader
naturally because she is only one authorized to use English, the
language understood by all. What can we share? How can we position
ourselves? What kind of voice will be possible?
Networks are fragile.
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