Group exhibition at Haverford College's Cantor Fitzgerald Gallery: if I
can't dance to it, it's not my revolution
if I can’t dance to it, it’s not my revolution is the first exhibition
to investigate on a large scale the political movement of anarchism
through counter-cultural artistic practices in Europe and North America
from the 1960s to the present.
March 21–May 2, 2014
Cantor Fitzgerald Gallery
Haverford College
370 Lancaster Avenue
Haverford, PA 19041
T +1 610 896 1287
exhibits.haverford.edu/ificantdancetoit
Curator: Natalie Musteata
if I can’t dance to it, it’s not my revolution is the first exhibition
to investigate on a large scale the political movement of anarchism
through counter-cultural artistic practices in Europe and North America
from the 1960s to the present.
Taking as its starting point a maxim by the anarchist feminist Emma
Goldman, the exhibition is organized around three interlinked thematic
platforms: Horizontality considers the concept of a de-hierarchized
model of thinking and making; Black addresses the relationship between
insurrectionary tactics, such as “black blocs,” and the struggles of
African Americans to gain civil liberties; and Free Love explores a
social movement and philosophy that seeks freedom from any social
institution (such as marriage), state regulation, or creed impinging on
relational or sexual matters.
Each platform features archival documentation, major installations by
self-identified anarchist artists, and works that at once affirm and
complicate strategies of disruption and resistance. Bringing together
artists and free thinkers who work at the intersection of art and
anti-authoritarian social movements, if I can’t dance to it explores the
in-between space of—that is, the tensions that bind, as well as
divorce—aesthetics and political praxis, and the principles of
decentralization, collective authorship, and continual experimentation.
Publication
The exhibition is accompanied by an illuminating and unusual publication
designed by Project Projects, featuring visual materials and critical
essays by Allan Antliff, Adrian Blackwell, Josh MacPhee, Ernest
Millner-Larsen, Nadja Millner-Larsen, and Natalie Musteata.
Artists
Elena Bajo, Bernadette Corporation, Adrian Blackwell, Black Mask, Lizzie
Borden, Andrea Bowers & Olga Koumoundouros, John Cage, Christopher
D’Arcangelo, Gayle “Asali” Dickson, Emory Douglas, Sam Durant, Larry
Fink, Claire Fontaine, Luis Jacob, John Jordan & Isabelle Fremeaux &
Kypros Kyprianou, Kanonklubben, King Mob, The Living Theater, Jackson
Mac Low, Sherry Millner & Ernest Larsen, Raymond Pettibon, Carolee
Schneemann, Aldo Tambellini
Film series at Chase Auditorium, 7pm
– Born in Flames, with filmmaker Lizzie Borden: Thursday, February 27
– Get Rid of Yourself, with independent scholar Anna Komar: Thursday,
March 20
– Paths Through Utopia, with filmmakers John Jordan and Isabelle
Fremeaux: Wednesday, April 9
Public programs
– Gallery talk, with Natalie Musteata, curator of the exhibition, at
Cantor Fitzgerald Gallery: Friday, March 21, 4:30–5:30pm
– Lecture, “Aesthetics and Anarchy” by distinguished visitor Allan
Antliff (Canada Research Chair in Modern and Contemporary Art,
University of Victoria) in Stokes 102: Tuesday, April 8, 4:30pm
Presented by the John B. Hurford ’60 Center for the Arts and Humanities
in conjunction with the faculty seminar “The Anarchist Tradition,
Revisited.” Additional support provided by the Distinguished Visitors
program of Haverford College.
Press contact
Matthew Seamus Callinan, Associate Director, Cantor Fitzgerald Gallery
and Campus Exhibitions, [email protected]
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