Sounds really great exhibition. Hope could show it in uk?
Dave
On 10 Apr 2014 10:21, "marc garrett" <[email protected]> wrote:

> Group exhibition at Haverford College's Cantor Fitzgerald Gallery: if I
> can't dance to it, it's not my revolution
>
> if I can't dance to it, it's not my revolution is the first exhibition to
> investigate on a large scale the political movement of anarchism through
> counter-cultural artistic practices in Europe and North America from the
> 1960s to the present.
>
> March 21-May 2, 2014
>
> Cantor Fitzgerald Gallery
> Haverford College
> 370 Lancaster Avenue
> Haverford, PA 19041
>
> T +1 610 896 1287
>
> exhibits.haverford.edu/ificantdancetoit
>
> Curator: Natalie Musteata
>
> if I can't dance to it, it's not my revolution is the first exhibition to
> investigate on a large scale the political movement of anarchism through
> counter-cultural artistic practices in Europe and North America from the
> 1960s to the present.
>
> Taking as its starting point a maxim by the anarchist feminist Emma
> Goldman, the exhibition is organized around three interlinked thematic
> platforms: Horizontality considers the concept of a de-hierarchized model
> of thinking and making; Black addresses the relationship between
> insurrectionary tactics, such as "black blocs," and the struggles of
> African Americans to gain civil liberties; and Free Love explores a social
> movement and philosophy that seeks freedom from any social institution
> (such as marriage), state regulation, or creed impinging on relational or
> sexual matters.
>
> Each platform features archival documentation, major installations by
> self-identified anarchist artists, and works that at once affirm and
> complicate strategies of disruption and resistance. Bringing together
> artists and free thinkers who work at the intersection of art and
> anti-authoritarian social movements, if I can't dance to it explores the
> in-between space of--that is, the tensions that bind, as well as
> divorce--aesthetics and political praxis, and the principles of
> decentralization, collective authorship, and continual experimentation.
>
> Publication
> The exhibition is accompanied by an illuminating and unusual publication
> designed by Project Projects, featuring visual materials and critical
> essays by Allan Antliff, Adrian Blackwell, Josh MacPhee, Ernest
> Millner-Larsen, Nadja Millner-Larsen, and Natalie Musteata.
>
> Artists
> Elena Bajo, Bernadette Corporation, Adrian Blackwell, Black Mask, Lizzie
> Borden, Andrea Bowers & Olga Koumoundouros, John Cage, Christopher
> D'Arcangelo, Gayle "Asali" Dickson, Emory Douglas, Sam Durant, Larry Fink,
> Claire Fontaine, Luis Jacob, John Jordan & Isabelle Fremeaux & Kypros
> Kyprianou, Kanonklubben, King Mob, The Living Theater, Jackson Mac Low,
> Sherry Millner & Ernest Larsen, Raymond Pettibon, Carolee Schneemann, Aldo
> Tambellini
>
> Film series at Chase Auditorium, 7pm
> - Born in Flames, with filmmaker Lizzie Borden: Thursday, February 27
> - Get Rid of Yourself, with independent scholar Anna Komar: Thursday,
> March 20
> - Paths Through Utopia, with filmmakers John Jordan and Isabelle Fremeaux:
> Wednesday, April 9
>
> Public programs
> - Gallery talk, with Natalie Musteata, curator of the exhibition, at
> Cantor Fitzgerald Gallery: Friday, March 21, 4:30-5:30pm
> - Lecture, "Aesthetics and Anarchy" by distinguished visitor Allan Antliff
> (Canada Research Chair in Modern and Contemporary Art, University of
> Victoria) in Stokes 102: Tuesday, April 8, 4:30pm
>
> Presented by the John B. Hurford '60 Center for the Arts and Humanities in
> conjunction with the faculty seminar "The Anarchist Tradition, Revisited."
> Additional support provided by the Distinguished Visitors program of
> Haverford College.
>
> Press contact
> Matthew Seamus Callinan, Associate Director, Cantor Fitzgerald Gallery and
> Campus Exhibitions, [email protected]
>
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