so here is a first pass

as the lines & melodies of our utterances

Bz



The Tigers

The Cultural Smog Of The Internet… The Internet of Things - the
magnitude/form, flooded with a profound short-term breed of
technologies. In the youth- in my regions of interaction- we are not
prepared.  There is a paralyzing weight over our personal liberty.
Privacy lost to attacks and corrosion. Antagonistic commentary acting
as an inspiring force. Corporate power is entirely obsolete.
Government will inevitably consolidate. The new aesthetic might make
it more obvious, but pessimism is unbearably fragile, whatever online
dialogues might appear to be.


The Snakes

Do you honestly believe we're just sending information back and forth?
The guys with the money, with all the hacking/corrosion/cyberwarfare,
are not particularly for social change. Jumping on the perspective of
the platform providers, in the social media realm, the digital
bandwagon holds all the good cards. Don't hope for too much. It's
worth being a prosumer for all sorts of reasons. The purpose of
regulations will make the lines (of communication), of user's actions
and interactions, for actor and audience, already open, and along them
the slightest bit of lucrative data. The difference seems pointless.


The Dragons

(I) find the idea. The future can make their own contexts beyond some
degree of privilege. Future artists are not public. Creating important
and relevant work, being/contributing the possibility of a nation
objectionable, feeling like a citizen, knowing the given structures,
we shove down their metaphorical gullets and come up to extract and
preserve what we all think we need to do, on the net, on Social media
platforms, as a Netartizen/Netartisan.


The Phoenixes

If there is some rise of infopower, who will be physical when big data
stacks wipes all the technology, when the land is scorched, when
social media typifies our time? And perhaps more to the point, let's
hope the gap from our Arab Spring will be left with a feeling that in
the pulse of the future digital/online years that libraries survive.
What are we ISIS, we Baynesian algorithms, we NetArtizens
doing/writing/about? What are we, as "it"?


The Spiders

I have long hunted the good word. We want dynamically-shared,
distributed co-authoring in a way that (is) an opportunity to create
something that is for audiences that are participating - a political
strategy for those of us who like political strategies - a privatized
(network) space for the public. Acting out of ignorance, the modern
day database alters/influences the work. We can be citizens of
capital's enclosures for a while, exploited to give it its value,
pressing a button, inserting our own creativity into content
management system and social media. I don't just mean "interactivity"
under the banner of art. Let's make a truly new net. One that has the
potential to- in a really creative way, offer new ways to fully
integrate the artistic process into a network, or something like that,
a net where we can initiate and participate in equal measure.


The Cranes

@Bill >>>> would be nice to have  #tip2 There is no one We @Mez >>>>>
N.Et.A[l]rtizen MANIC responses @Ruth >>>> NetArtizen
#[s]tip[ewe.lation] ---- al[ways]media[ate]platform[at]s. @Alan >>>>>
cultural heritage ---- 3: S[m]o[dalities+fun]c[t]i[ons_] =
0000000067141066147020145071157060440063556066145063040 @Dark >>>> 404
FILE NOT FOUND I am still alive


The Star Fishes

I had a dream one time about the world we live in- of teams of
artists- from netbehaviour- from anywhere else. Let’s conceptualize an
approach to delivering theatrical social media. We may invent or even
dream of local mythologies of networked systems in troubled areas. We
find out more can be expressed in local vernacular. We find a platform
for paratrooping re-interpretations of torment explained by the
local's face.
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