That¹s a good question, as I am just now wiring in.
There are a number of foundations here, as a lot of the larger foundations
are largely based on private Emirati cocnerns First idea might be the
Sharjah Art Foundation or Alserkal group. We are tossing the idea of a
Dorkbot here as well, and I wish we could get a dialogue going about a real
makerspace (none exists here!)
From: ruth catlow <ruth.cat...@furtherfield.org>
Reply-To: NetBehaviour for networked distributed creativity
<netbehaviour@netbehaviour.org>
Date: Friday, October 2, 2015 at 4:27 PM
To: <netbehaviour@netbehaviour.org>
Subject: Re: [NetBehaviour] An interview with Geert Lovink
You are probably best placed to answer that question Patrick.
How could that work?
On 02/10/15 13:14, Patrick Lichty wrote:
>
> One of many points today -
>
> I wonder if this conversation could be extended here to the UAE, where there
> is a great deal of cultural activity (but it is still a small¹town)
>
>
>
>
> From: ruth catlow <ruth.cat...@furtherfield.org>
> Reply-To: NetBehaviour for networked distributed creativity
> <netbehaviour@netbehaviour.org>
> Date: Thursday, October 1, 2015 at 10:04 PM
> To: <netbehaviour@netbehaviour.org>
> Subject: Re: [NetBehaviour] An interview with Geert Lovink
>
>
>
>
>
>
>
> Thanks Annie and Randall,
>
> for offers to host and for your ideas and reflections.
>
> The idea of asking a gallery visitor to join a discussion on Netbehaviour is
> provoking!
>
> I look forward to hearing more from you Annie: )
>
> Randall,I'd also like to comment on something you wrote in an earlier mail :
> "it¹s not clear to me that he is aware of the many museums in the US and the
> around the world that are employing social media and what is called
> ³user-generated content² in all sorts of compelling ways that invite
> engagement and social change. "
>
> I think that what is under discussion here is digital art or media art that
> prompts a more critical reflection about digital tools and technology- and
> considers how they influence and change mass behaviours and society and power
> etc. I think this goes beyond 'engagement'. This is not to dismiss the work
> that you describe- just to distinguish.
>
> Ruth
>
>
>
>
> On 01/10/15 13:42, Randall Packer wrote:
>
>
>>
>>
>>
>> Ruth, that¹s the first time I have heard you articulate the high-importance
>> of the relationship and intersection between the physical Furtherfield venues
>> with the virtual networked spaces of the list, etc. This cross-pollination
>> between the local and the remote seems to always be the great challenge of
>> networked projects and their communities, but also one of the most
>> interesting. The question and solutions you raise are compelling: to create a
>> dialogue across this divide, creating third space social engagement between
>> the two. How do to this with a text-based email list is an even greater
>> challenge, so I think having those who are on the ground in the park, or at
>> least actively involved in what is happening there, should be hosting
>> conversations on the list: reportage from the Furtherfield gallery. I wonder
>> also if it is possible for visitors in the gallery to participate here,
>> though that seems more appropriate for social media. When we created multiple
>> channels for NetArtizens, that presented a good distribution solution,
>> especially when there was cross-referencing between Twitter and NetBehaviour.
>> Personally, I think it is interesting to think about all the various channels
>> we use as a wholistic activity, because in a sense, they all seem to blend
>> together with a lot of the same participants, for example Marc¹s Facebook
>> postings with this list. You bring up some crucial networked issues in terms
>> of engaging virtual communities, the key question being how to bridge those
>> virtual communities with physical social spaces.
>>
>>
>>
>>
>>
>>
>> From: <netbehaviour-boun...@netbehaviour.org> on behalf of ruth catlow
>> Reply-To: NetBehaviour for networked distributed creativity
>> Date: Thursday, October 1, 2015 at 5:21 AM
>> To: <netbehaviour@netbehaviour.org>, <bram....@gmail.com>
>> Subject: Re: [NetBehaviour] An interview with Geert Lovink
>>
>>
>>
>>
>>
>>
>>
>> Dear Annie,
>>
>> You have thrown the cat amongst the pigeons of my mind!
>>
>> Of course!
>>
>> All the time I think - what makes Furtherfield/Netbehaviour super-special is
>> this link between what happens in the experiments and conversations between
>> us all here on the list, and in the physical places in the Furtherfield park
>> venues (and on tour).
>>
>> The work done by our avant-art-tech networks and communities prompts
>> wonderful (I find them wonderful) encounters, activities and conversations
>> with park users, local residents (from every country- perhaps- in the world)
>> and exhibition visitors (local and international).
>>
>> But I too have had a feeling of un-ease about a disconnect with the
>> conversations that happen here on the list. This list is one of my favourite
>> places, and yet I find it hard to advocate for it, to people who are not
>> already here. Perhaps because email has now acquired toxic associations for
>> many people because of the demands it places on 'immaterial labourers'.
>>
>> I have a couple of thoughts about what we might do.
>>
>> Firstly- a Netbehaviour subscriber could volunteer to host, here on the
>> list, any of the following people
>>
>> * artists in our upcoming show,
>> * a recent student placement student,
>> * any member of our regular (overworked) staff-team.
>> I would invite them to join us as our guest, to talk about their work,
>> contribution and experience with Furtherfield. As a host you would be
>> responsible for making them feel welcome here and helping them (by mailing
>> with them in private) to negotiate conversations if they were to get spikey:
>> )
>>
>> Secondly
>>
>> If there is an appetite amongst netbehaviourists for more sharing of
>> Furtherfield process, it would be easy (and pleasurable, and useful, and
>> actually quite a relief) to open up and share some of the things happening
>> 'on the ground'. As long as people could tolerate incompleteness (we have to
>> take care not invade the privacy of collaborators and partners),
>> contradiction (I have an unruly mind), and the occasional indefensible
>> statement (we work it out as we go) along the way.
>>
>> To give you a taste of what kinds of topics these might touch on let me
>> start with a brain dump of the possible [Netbehaviour] Subject Headers about
>> Furtherfield process.
>>
>>
>> * DAOWO preparation excitement!
>>> * see here http://www.furtherfield.org/artdatamoney/debate/
>>> *
>>> *
>> * Reflections on attempting to maintain critical and politically astute art
>> processes - without being po-faced and elitist.
>> *
>> *
>> * Installing work by [insert the names here of every artist in Furtherfield's
>> upcoming exhibition The Human Face of Cryptoeconomies http://bit.ly/1VrLivJ ]
>> at Furtherfield Gallery.
>> *
>> *
>> * Calculations, tactics and strategies for dealing with Furtherfield finances
>>> * Talking to businesspeople (lots of odd feelings!) and how Jeremy Corbyn is
>>> helping
>>> *
>>> *
>> * Summer at the Museum of Contemporary Commodities - open participatory
>> process - an extreme sport.
>>> * pictures here
>>> https://www.flickr.com/photos/http_gallery/sets/72157656437894006
>>> *
>>> *
>> * Why Furtherfield Commons has had no landline for 3 months
>>> * (How BT handed over our line to another service provider without our
>>> agreement and then wouldn't get it back)
>>> *
>>> *
>> * Preparations for an upcoming street programme 'The People's Magna Carta' at
>> Frequency Festival in Lincoln.
>> *
>>
>> * The Furtherfield website - opening up to noobs and improving diversity of
>> participants
>> *
>>> * 7 placement students make themselves heard (it's all a bit tricky!)
>>> *
>>> *
>> * Seeds of a plan for an experimental innovation lab for values based
>> economies
>>> * The Oslo Innovation Manual (apparently the role of arts, design and
>>> culture go unaccounted for)
>>> *
>>> *
>> * How blockchain is redolent with the decentralised distributed promise of
>> the early web
>> *
>>> * How we're not falling for the utopian promise of blockchain - but skippy
>>> with excitement nevertheless!
>>> *
>>> *
>> * What 7 placement students said about their Summers with Furtherfield
>> *
>> *
>> * How we are thinking about expanding outward and upward (and inward) at the
>> gallery/lab in the park and
>> *
>> Finally...
>>
>> Thanks to Geert (see subject header) for carrying out this in depth
>> experiment with the Netbehaviour subscribers; )
>> and to Annie for investigating the cause of that sourness; )
>>
>>
>> What do you reckon???
>> Tell us, we'll do something!!!
>>
>> respect due!
>> Ruth
>>
>> On 30/09/15 22:11, Annie Abrahams wrote:
>>
>>
>>>
>>>
>>>
>>>
>>>
>>> hi Randall,
>>>
>>>
>>> I am not necesarrily asking for more, better media, for more livelyness, I
>>> am not sure I want more ...
>>>
>>> I would like a content re-de-placement, more of the processes going on
>>> (artistic and organisational) and les about results and "look what I have
>>> done" I would like that there would be more slowness, more attention, more
>>> time for open reflexion on what has been done, less representation and for
>>> now i see that still more in the mailinglist than on the social media. I
>>> think we should reinvent reinvest mailinglists! Netbehaviour first of all.
>>>
>>>
>>> see you
>>>
>>> Annie
>>>
>>>
>>>
>>>
>>> On Wed, Sep 30, 2015 at 5:44 PM, Randall Packer <rpac...@zakros.com> wrote:
>>>
>>>>
>>>>
>>>>
>>>>
>>>> I¹m not sure where to set into this thread, which has become multi-threaded
>>>> in all sorts of interesting directions.
>>>>
>>>>
>>>>
>>>>
>>>> Regarding Geert: without going into a complete analysis, it¹s not clear to
>>>> me that he is aware of the many museums in the US and the around the world
>>>> that are employing social media and what is called ³user-generated content²
>>>> in all sorts of compelling ways that invite engagement and social change. I
>>>> have taught courses in the Johns Hopkins University Museum Studies program
>>>> where the students are deeply involved with museum-based social and
>>>> ³visitor engagement,² to use another museum term. I believe the interview
>>>> does have a few absolutes that have not been thoroughly researched,
>>>> although I have the utmost respect for Geert and his critique of
>>>> corporate-based social media: it¹s just not fair to museums that are making
>>>> striking progress, and of course the many alternative arts organizations,
>>>> maker-faires, and hack-a-thons around the world that are incorporating
>>>> socially-based forms of art and science.
>>>>
>>>>
>>>>
>>>>
>>>> Regarding Annie¹s concern for place: I agree, we need the means of
>>>> interaction that while remote, give us a more real-time, visual, media-rich
>>>> form of interaction and engagement. I enjoy the ease and simplicity of an
>>>> email list, but there are times you want to see faces, hear voices, trade
>>>> gestures, communicate with sound, all of which is near impossible in this
>>>> medium as a live experience. There is no replacing the live: we need to
>>>> embed the real-time into our networked interactions, which for many of us
>>>> here has been at the heart of our artistic work and research. We are all
>>>> nodes on a network, and we need to find ways to engage forms of live
>>>> connectivity that are as easy as sending an email.
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> Randall
>>>>
>>>> From: <netbehaviour-boun...@netbehaviour.org> on behalf of Annie Abrahams
>>>> Reply-To: NetBehaviour for networked distributed creativity
>>>> Date: Wednesday, September 30, 2015 at 10:55 AM
>>>> To: NetBehaviour for networked distributed creativity
>>>> Subject: Re: [NetBehaviour] An interview with Geert Lovink
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> I have been to a shop to buy some coffee beans and while riding my bike, I
>>>> thought : wasn't I a bit nasty to furtherfield/netbehaviour? When back I
>>>> found some reactions that reassured me, but
>>>>
>>>> I had been thinking that somehow I was a bit sour on
>>>> furtherfield/netbehaviour and I asked myself why, what would you like to be
>>>> different, to change?
>>>>
>>>> A small idea popped up : I miss the connexion between furtherfield live in
>>>> the park (where I imagine a lot of the work is happening) and furtherfield
>>>> online - especially netbehaviour. Of course there are the announcements,
>>>> info on the works showed of people I know online, but I miss thoughts by
>>>> these actual artists who showed, worked with the real place on what is
>>>> going on, on how the relation is constructed, of what their work does when
>>>> place in a gallery place. I miss personal stories on this on netbehaviour.
>>>>
>>>>
>>>> xxx
>>>>
>>>> Annie
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> On Wed, Sep 30, 2015 at 4:39 PM, Pall Thayer <pallt...@gmail.com> wrote:
>>>>
>>>>
>>>>
>>>>>
>>>>>
>>>>>
>>>>> Fascinating read. On gallery and museum embrace of post-internet art, I
>>>>> think there are two things going on. First of all, it's new and it's
>>>>> acceptance in galleries and museums is probably not much greater than
>>>>> internet art's acceptance was when it was new. Second of all, most of it
>>>>> takes forms which galleries and museums are familiar with, i.e. physical
>>>>> objects, prints, videos, etc. This is a far more attractive fit for
>>>>> commercial art galleries and doesn't pose any significant archiving issues
>>>>> for museums. At least, not ones that they haven't encountered before.
>>>>>
>>>>>
>>>>>
>>>>> Pall
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Wed, Sep 30, 2015 at 10:26 AM marc garrett <marc.garre...@gmail.com>
>>>>> wrote:
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> Hi Paul, Dave, Annie & all,
>>>>>>
>>>>>> Regarding Geert's interview -- I actually agree with most of what he
>>>>>> says. In fact, I tend to agree with most of his ideas and writings.
>>>>>>
>>>>>> I think as a group, we're in tune (usually coincidentally with his
>>>>>> reflections) but, living through them within a grounded context, which is
>>>>>> of our everyday life experience and as part of surviving as an artist led
>>>>>> group in a neoliberalist dominated culture.
>>>>>>
>>>>>> The audience he's talking to is an e-flux audience, and I think e-flux
>>>>>> are part of an neoliberalist, elite establishment, so it's positive he is
>>>>>> discussing these issues to its audience.
>>>>>>
>>>>>> Although, Paul has mentioned already things have been getting better and
>>>>>> there is evidence of things gettign better. I would say that's true in
>>>>>> some ways, but it may also be true that some of us have got older and
>>>>>> into power and so able to support media art and net art more these days.
>>>>>> And before this was not the case ;-)
>>>>>>
>>>>>> Wishing you well.
>>>>>>
>>>>>>
>>>>>>
>>>>>> marc
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> On 30 September 2015 at 14:07, Paul Hertz <igno...@gmail.com> wrote:
>>>>>>
>>>>>>
>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> Well, happy to post polemics, it's a kind of a hobby. :^}.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> I think there has been a tendency for mainstream curators to approach
>>>>>>> more recent digitally-mediated works as if they were in effect a sort of
>>>>>>> hybrid old media, while still neglecting both historical and current
>>>>>>> "pure" digital media. This has meant that certain kinds of digital hard
>>>>>>> copy (modded photographic prints, collage and drawings, and even 3D
>>>>>>> printing == "post-digital") can be welcomed while the internet as a
>>>>>>> platform is generally ignored. I don't have any more evidence for this
>>>>>>> than observation, and I have felt that the situation for digital art was
>>>>>>> improving over the last ten years. OTOH, I can readily understand the
>>>>>>> impatience.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> -- Paul
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> On Wed, Sep 30, 2015 at 7:56 AM, dave miller <dave.miller...@gmail.com>
>>>>>>> wrote:
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> I think Geert is probably correct though - seems to me the art
>>>>>>> "establishment" aren't interested in internet/ digital art, though maybe
>>>>>>> they have a different view of it from us on here. The art world remains
>>>>>>> a mystery to me, so I may well be wrong. Thank god for Furtherfield, and
>>>>>>> I would love to know who are the curators 'not' scared of it.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> What's the post-digital¹ bandwagon?
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> Dave
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> On 30 September 2015 at 13:48, Annie Abrahams <bram....@gmail.com>
>>>>>>> wrote:
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> don't be small, don't think sectarism
>>>>>>>
>>>>>>> Geert is closer to "us" than most "others"
>>>>>>>
>>>>>>> get in contact with him, explain and connect, use his critical energy
>>>>>>>
>>>>>>>
>>>>>>> invite him to curate, to build, to discuss
>>>>>>>
>>>>>>> xxx
>>>>>>>
>>>>>>>
>>>>>>> Annie
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> On Wed, Sep 30, 2015 at 2:40 PM, NIKOS V <nikos...@gmail.com> wrote:
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> I see the relevance in this approach, allthough I have to say its
>>>>>>> allready to late for that criticism no?
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> Moreover, is he really interested in art?
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> If yes, as Marc says, where are the references and the names ?
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> And why is Venice Biennial important?To whom????
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> 2015-09-30 15:36 GMT+03:00 marc.garrett
>>>>>>> <marc.garr...@furtherfield.org>:
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> Hi Paul,
>>>>>>>
>>>>>>> Geert needs to be more specific and highlight the curators who are
>>>>>>> 'not' scared and who have been showing technical artwork such as
>>>>>>> Furtherifeld & others - his words are not grounded and are too absolute,
>>>>>>> they do not reflect reality...
>>>>>>>
>>>>>>> marc
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> http://conversations.e-flux.com/t/geert-lovink-on-social-media-and-the-a
>>>>>>> rts/2581
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> "The absence at the 2015 Venice Bienale of digital arts and internet
>>>>>>> works says it all. Curators are afraid to admit they are clueless and
>>>>>>> continue their ignorant attitude towards art that deals with the digital
>>>>>>> in a direct matter (while checking their smart phone). Everyone jumps on
>>>>>>> the post-digital¹ bandwagon because that¹s cute and safe. [...]
>>>>>>> Curators and critics are more than happy to embrace the race, gender,
>>>>>>> even the anthroposcene (whatever that is), but are blind for the
>>>>>>> techno-politics of the equipment and media they are using themselves so
>>>>>>> intensely. The contradictions are becoming absurd. Video was the last
>>>>>>> technology they had to deal with, but then it stopped."
>>>>>>>
>>>>>>> Geert Lovink
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> //
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> enjoy,
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> -- Paul
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> --
>>>>>>>
>>>>>>> ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| ---
>>>>>>> http://paulhertz.net/
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinf
>>>>>>> o/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.org
>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> --
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.org
>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> --
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> 26 09 14h vivre entre from estranger to e-stranger, une conférence
>>>>>>> performée
>>>>>>> festival Magdalena, La Bulle Bleue
>>>>>>> <http://www.labullebleue.fr/#%21/magdalenaproject> , 285 rue du Mas de
>>>>>>> Prunet, Montpellier
>>>>>>>
>>>>>>> aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-to-e-stran
>>>>>>> ger/
>>>>>>> <https://aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-t
>>>>>>> o-e-stranger/>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> besides,
>>>>>>> online performances On Object Agency
>>>>>>> with Martina Ruhsam
>>>>>>> archives (text, script, video, images)
>>>>>>> bram.org/besides/ <http://bram.org/besides/>
>>>>>>> Marc Garrett interviewed me for the Choose Your Muse series on
>>>>>>> Furtherfield
>>>>>>>
>>>>>>> furtherfield.org/features/interviews/choose-your-muse-interview-annie-ab
>>>>>>> rahams
>>>>>>> <http://www.furtherfield.org/features/interviews/choose-your-muse-interv
>>>>>>> iew-annie-abrahams>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.org
>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.org
>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> --
>>>>>>>
>>>>>>> ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| ---
>>>>>>> http://paulhertz.net/
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> NetBehaviour mailing list
>>>>>>> NetBehaviour@netbehaviour.org
>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> _______________________________________________
>>>>>> NetBehaviour mailing list
>>>>>> NetBehaviour@netbehaviour.org
>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>>
>>>>>>
>>>>>
>>>>>
>>>>> --
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> P Thayer, Artist
>>>>> http://pallthayer.dyndns.org
>>>>>
>>>>> _______________________________________________
>>>>> NetBehaviour mailing list
>>>>> NetBehaviour@netbehaviour.org
>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> --
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> 26 09 14h vivre entre from estranger to e-stranger, une conférence
>>>> performée
>>>> festival Magdalena, La Bulle Bleue
>>>> <http://www.labullebleue.fr/#%21/magdalenaproject> , 285 rue du Mas de
>>>> Prunet, Montpellier
>>>>
>>>> aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-to-e-stranger
>>>> /
>>>> <https://aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-to-e
>>>> -stranger/>
>>>>
>>>>
>>>>
>>>> besides,
>>>> online performances On Object Agency
>>>> with Martina Ruhsam
>>>> archives (text, script, video, images)
>>>> bram.org/besides/ <http://bram.org/besides/>
>>>> Marc Garrett interviewed me for the Choose Your Muse series on
>>>> Furtherfield
>>>>
>>>> furtherfield.org/features/interviews/choose-your-muse-interview-annie-abrah
>>>> ams
>>>> <http://www.furtherfield.org/features/interviews/choose-your-muse-interview
>>>> -annie-abrahams>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> _______________________________________________ NetBehaviour mailing list
>>>> NetBehaviour@netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> NetBehaviour mailing list
>>>> NetBehaviour@netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>
>>>
>>>
>>>
>>>
>>> --
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> 26 09 14h vivre entre from estranger to e-stranger, une conférence
>>> performée
>>> festival Magdalena, La Bulle Bleue
>>> <http://www.labullebleue.fr/#%21/magdalenaproject> , 285 rue du Mas de
>>> Prunet, Montpellier
>>>
>>> aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-to-e-stranger/
>>> <https://aabrahams.wordpress.com/2015/09/17/vivre-entre-from-estranger-to-e-
>>> stranger/>
>>>
>>>
>>>
>>> besides,
>>> online performances On Object Agency
>>> with Martina Ruhsam
>>> archives (text, script, video, images)
>>> bram.org/besides/ <http://bram.org/besides/>
>>> Marc Garrett interviewed me for the Choose Your Muse series on
>>> Furtherfield
>>>
>>> furtherfield.org/features/interviews/choose-your-muse-interview-annie-abraha
>>> ms
>>> <http://www.furtherfield.org/features/interviews/choose-your-muse-interview-
>>> annie-abrahams>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/ne
>>> tbehaviour
>>>
>>
>>
>>
>> --
>> Co-founder Co-director
>> Furtherfield
>>
>> www.furtherfield.org <http://www.furtherfield.org>
>>
>> +44 (0) 77370 02879
>> Meeting calendar - http://bit.ly/1NgeLce
>> Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
>>
>> Furtherfield is the UK's leading organisation for art shows, labs, & debates
>> around critical questions in art and technology, since 1997
>>
>> Furtherfield is a Not-for-Profit Company limited by Guarantee
>> registered in England and Wales under the Company No.7005205.
>> Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally
>> Ho Corner, London N12 0EH.
>>
>>
>> _______________________________________________ NetBehaviour mailing list
>> NetBehaviour@netbehaviour.org
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>>
>> _______________________________________________
>> NetBehaviour mailing list
>> NetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/net
>> behaviour
>>
>
>
>
> --
> Co-founder Co-director
> Furtherfield
>
> www.furtherfield.org <http://www.furtherfield.org>
>
> +44 (0) 77370 02879
> Meeting calendar - http://bit.ly/1NgeLce
> Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
>
> Furtherfield is the UK's leading organisation for art shows, labs, & debates
> around critical questions in art and technology, since 1997
>
> Furtherfield is a Not-for-Profit Company limited by Guarantee
> registered in England and Wales under the Company No.7005205.
> Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally
> Ho Corner, London N12 0EH.
>
>
> _______________________________________________ NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
> _______________________________________________
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/netb
> ehaviour
>
--
Co-founder Co-director
Furtherfield
www.furtherfield.org <http://www.furtherfield.org>
+44 (0) 77370 02879
Meeting calendar - http://bit.ly/1NgeLce
Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
Furtherfield is the UK's leading organisation for art shows, labs, &
debates
around critical questions in art and technology, since 1997
Furtherfield is a Not-for-Profit Company limited by Guarantee
registered in England and Wales under the Company No.7005205.
Registered business address: Ballard Newman, Apex House, Grand Arcade,
Tally Ho Corner, London N12 0EH.
_______________________________________________ NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
_______________________________________________
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
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