We (my family and I) did grab what we can and head for the hills. Literally. We 
now live high up in the hills in an obscure and hard to find place a reasonably 
safe distance from where other people live about as far from the cradle of 
Western civilisation one can be (Australia). We are surrounded by a parcel of 
land that is ours and functions something like a fortress. I guess that means I 
can’t be an accelerationist - even if I wanted to be…

best

Simon


Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk
http://amazon.com/author/simonbiggs
http://www.unisanet.unisa.edu.au/staff/homepage.asp?name=simon.biggs
http://www.eca.ed.ac.uk/school-of-art/simon-biggs







> On 22 Apr 2016, at 02:57, ruth catlow <ruth.cat...@furtherfield.org> wrote:
> 
> Dear Annie, Dave, Alan and Paul,
> 
> Annie you asked
> "I want to slow down, to be attentive, to touch - can that be part of 
> Accelerationisme?"
> 
> Yes. I think so. 
> This is less about speed (as distinct from Futurism) than it is about rates 
> of change.
> 
> The technologies that we use are bound up with with advanced capitalism. We 
> watch our political and social infrastructures unable to evolve fast enough 
> to solve the wicked problems - for environment, democracy, justice and a good 
> life- than they create.
>  
> I think we can take two attitudes
> 
> 1) Save ourselves! Take what we can carry, run for the hills and build the 
> best fortresses we can with people whose values we share.
> 
> or
> 
> 2) coordinate and collaborate in the higher interests of all living beings - 
> constantly working out who and what these are- and using all means at our 
> disposal.
> 
> I like the idea of living in the hills.
> But not under siege, and not in earshot of future generations of bemused, 
> brutalised, alienated people.
> 
> The dominant model of global coexistence is that of endless economic growth 
> and Neoliberalism (the (increasingly automated) marketization of everything). 
> This  tends to centralize power and resources and renders less effective the 
> usual ways of blocking and resisting; of work-based and traditional-identity 
> based solidarity.
> 
> Instead Contemporary Accelerationism suggests (I think) that we use in new 
> combinations all the tools, tactics, and knowledges in an attempt to perform 
> a series of judo moves (using the force rather than resisting the force), or 
> to sling-shot our way through the mess we are in.
> 
> As always, there needs to be a way to accommodate the visions and madcap 
> schemes of all sorts- many islands rather than one land mass as Paul said. 
> That's why this discussion here and now.
> 
> Respect!
> Ruth
> 
> On 21/04/16 12:01, Annie Abrahams wrote:
>> My name is Annie Abrahams and I don't know if I am an Accelerationist.
>> I don't like the word and I know that words are not innocent.
>> I do like Ruth and I know she never is completely wrong.
>> 
>> Why in the first place I should think about it? Modernism, the Postmodern, 
>> the New Aesthetics, Post Internet Art - just names, almost forgotten names - 
>> containers that served to categorize discussions, postures ... analyses? 
>> perspectives?
>> 
>> Is Accelerationisme the most recent one in this row? 
>> What should we discuss ... ? 
>> Accelerate? What is knowledge in this frame, how is it constructed? Is it 
>> a-historical? Is it prospective?
>> 
>> I want to slow down, to be attentive, to touch - can that be part of 
>> Accelerationisme?
>> 
>> (to be continued)
>> 
>> On Thu, Apr 21, 2016 at 11:37 AM, ruth catlow <ruth.cat...@furtherfield.org 
>> <mailto:ruth.cat...@furtherfield.org>> wrote:
>> Hello,
>> My name is Ruth Catlow,
>> and I am an Accelerationist.
>> 
>> Back in 1996 ....
>> (to be continued)
>> _______________________________________________
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>> <http://www.netbehaviour.org/mailman/listinfo/netbehaviour>
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>> 
>> 
>> -- 
>> Gretta Louw reviews my book 
>> <http://www.furtherfield.org/features/reviews/personal-politics-language-digital-colonialism-annie-abrahams%E2%80%99-estranger>
>>  from "estranger to e-stranger: Living in between languages", and finds that 
>> not only does it demonstrate a brilliant history in performance art, but, it 
>> is also a sharp and poetic critique about language and everyday culture. 
>> 
>> New project with Daniel Pinheiro and Lisa Parra : Distant Feeling(s)  
>> <http://bram.org/distantF/>
>> 
>> 
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> Furtherfield
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