Hi Michael,
Any reason you haven't used Strava for this? Combined with Instagram, it
does everything you're talking about I think.
The Strava app uses your mobile's GPS to log your route, add a title and
description/notes, etc. Instagram photos you take during the activity
are automatically associated (once a/c linked). Various add-ons such as
relive.cc
An example of one of my rides:
https://www.strava.com/activities/758410407
http://labs.strava.com/flyby/viewer/#758410407?c=u10u5crc&z=C&t=1O4qSJ
https://www.relive.cc/view/758410407
James.
On 13/04/17 14:13, Michael Szpakowski wrote:
https://www.flickr.com/photos/szpako/albums/72157676652502324
Last summer, after a gap ofsome years, I started running daily again. I did
this because I had stoppedtaking a small dose of an antidepressant and although
I was careful to withdrawslowly it hit me hard - I experienced a renewed
depression and anxiety whichwas much worse than that which I had originally
taken the drugs to combat. Iwas unwilling, though, to return to the drugs if I
could possibly avoid this.The running helped me copeand, as I get slowly
better, continues to do so.In early 2017 I starteddocumenting some of my runs
using the ‘measure distance’ function on Googlemaps, taking a screenshot of
theresulting image and posting it to the photo sharing service Flickr. I have
beeninterested for a long time in things that somehow hover between image,
diagramand text and this seemed like a fruitful example of that. Once I’d made
andposted a few these it seemed only natural to append to the image
somecommentary on my run, things and people seen and noted, my state of mind,
theweather… a kind of highly compressed diary superimposed on the
rundocumentation and something which fitted with my long standing interest in
theway that the internet allowed very naturally for long form aggregations
ofoften diverse and lapidary components. (For years, from 2003 to the
presentday, I have been making small videos and posting them to the internet,
apractice I have compared to the Japanese literary form Zuihitsu,
literally‘following the brush’ - a kind of miscellany.)Each piece takes quite
along time to make and I’m very conscious of working against the clock
tocomplete and post each one. I’m also mindful that, although I work hard to
makemy texts flow, sometimes, to meet my self-imposed requirement of posting on
thesame day as I run, I have to accept a certain improvisatory quality
(whichmight be a polite way of saying the texts are not always as polished as I
wouldideally like.)I was deeply involved inalmost the first wave of ‘net-art’ -
it brought me into image wrangling andgave me an opportunity to have people
look at my work and even to get it shownin institutions too. I’m saddened by
the now overwhelming corporatisation ofthis space which has, it seems to me,
destroyed many of the possibilities forart which were so exciting in the late
nineties of the last century and theearly noughts of this one. Much digital and
networked art now seems to requirelarge amounts of tech and funding and to have
moved closer and closer toeverything many of us felt was disagreeable and
backward looking about the artworld. Little of it now lives on the net. The
kind of enthusiast I was wouldnow get channelled into spaces specifically made
for ’enthusiasts’, for‘amateurs’ - the kind of intermingling that was
completely natural back thenhas almost completely disappeared.One of my
responses ( theother is to work in more traditional practices, such as
painting) is to try andmaintain a toehold in places like Flickr, which although
certainly corporateand equally regarded by both art world commentators and
those who own it as aspace for the masses rather than the charmed circles of
the art world,nevertheless retain, if one looks carefully, echoes of that
earlier promise.One finds artists, who, whether they would style themselves
such or not, aremaking work of depth and lasting interest as well as in some
sense pushing backboundaries.Finally I want to say I haveno idea whether this
work is any ‘good’. I know I have a need to make it, Iknow that on my good days
it seems worth making and it seems to me to offersomething that, if not
original (what is? what is? - we had *that* brought hometo us forcefully by the
network, and a good thing too), at least synthesises anumber of practices in a
way which still seems native to the internet as wellas drawing on some
interesting tendencies in contemporary art, particularly thekind of romantic
conceptualism I associate with Richard Long and Sophie Calleas well as with
groups like Collective Actions. If you have a moment pleasetake a look. It’s a
big ask but if you have time I would welcome your thoughts,whether positive,
puzzled or negative. best wishesmichael
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