On 4 Apr 2007, Alec wrote: 
 
> Re-phrasing my question slightly, do different pitches of chanter do
> better
> with a different crow note or is the c# a sweet spot for this design
> of reed in any chanter?

It works for all of  F, F+, F# and D nsp, the way I've been taught. 
The concert pitch G nsp needs a different (shorter) reed that crows 
to E.

As Richard's already said, reeds of this design not good enough for 
nsp will frequently do well in ssp.

And keyless nsp are less sensitive than their keyed counterparts.
Very extended chanters are sometimes even fussier than standard nsp.

Cheers
Julia




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