Probably you have already had replies, in case not - this is usually played  
as a transposing instrument when playing the  traditional NSP tunes.   i.e.  
you read G but it  sounds D (the note above middle C on piano).  
 
It is up to you what you do when playing any other music.   
 
In other words, if you read D = D (concert pitch) it is good for  playing 
along with many singers, as the average voice range is  comfortable with the 
actual range of the D chanter, which is (concert)  low A to (concert) F# on top 
line of treble clef.   
 
If you are not used to transposing you may find it confusing to do  both.    
If you are playing the traditional NSP  literature along with other pipers, 
who are using either the F or G  chanter, you will find that the D chanter does 
not go high  enough.   
 
If you want to play fiddle tunes and are thinking in concert pitch (i.e. D  = 
D) your high range is  too limited.  
 
However, if you want to have it for the rich, mellow  (somewhat  quieter) 
tone, it is an enjoyable additional instrument. 
 
Many of the pipers on the USA/Canada Pacific coast seem to enjoy playing  the 
D chanter (mainly as a transposing instrument) - probably simply because  
someone got the first people started on it and the others just followed  suit.
 
Sheila
 
 



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