Quoting Anthony Robb <[email protected]>:

Hello Vernon
If we stick with Barry's fruit analogy idea, Richard Suttleworth was comparing apples past their sell-by date&nbsp;with fresh ones.

Pardon. Where does tradition come into this. Are Reid pipes past their sell-by dates.

I do not think I said anything which should discourage potential makers from paying close attention to Mike Nelson's website but I did make it clear that I felt that what Mike brought to the pipemaking discussion was a clarity of view based on engineering design. On the other other hand, I went through my pipemaking apprenticeship at the Killingworth classes with Colin Ross as tutor.

Colin and Mike have exchanged views in the past to mutual benefit. Colin has freely admitted that the way his key-stems attached to the pads on double keys came from a suggestion from Mike Nelson. I heard him say as much in a workshop at the Rothbury Festival.

Regarding hole positions, I work from the scale I learned at the Killingworth class which is to all intents and purposes the same that Mike produced in his book of the 1980s and Mike has, as I remember, acknowledged Colin's influence on his hole spacing.

In the time I studied and worked with Colin, I gained the impression that he felt that Mikes design was driven by technology, whereas Colin felt there should be a more artistic, sculptural influence in the outer form of the pipes. The technical inner workings are another area altogether.

Anyone who sets out to make a set of pipes, or become a pipemaker must form their own opinion on this matter. It is possible that an individual will at some times favour the artistic approach, while at other times the engineering attitude will come to the fore. Such is life!

Barry




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