Hello everyone - Has anyone dealt with footage from the Sony F3? It's uncompressed 10bit RGB444 SLOG in dpx format. (the recorder was a Gemini444)
My current workflow is as follows: READ: colorspace slog VIEWER: Gamma2.2 WRITE: colorspace slog This is for a commercial, not a feature. I have a sneaking suspicion that the slog curve currently in Nuke dates back to the Sony F35, because the highlights are being pushed quite high. This could be a problem, since the F3 captures at least two more stops of exposure range. Has anyone seen a slog curve that is camera specific to the F3L with the slog RGB upgrade? Perhaps someone can share their workflow experiences with footage from this camera. Thanks in advance Feli _______________________________________________ Nuke-users mailing list Nuke-users@support.thefoundry.co.uk, http://forums.thefoundry.co.uk/ http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
