Vladimir Us
artist & curator
http://www.oberliht.org.md> Date: Thu, 17 Apr 2008 22:21:20 +0200> From: [EMAIL
PROTECTED]> Subject: Pentru Oberlist de la Mihai> To: [EMAIL PROTECTED]> >
Centrul Cultural Odeon> str. M. Eminescu, 55> tel. 22 10 58> > > Repertoriu
Неделя памяти Маэстро Емиля Лотяну / In memoriam Maestrului Emil Loteanu> > 18
04 08> 18 00 Această clipă// Это мгновение> 20 00 Lăutarii// Лэутары> > 19 04
08> 18 00 Hora mare //Большая хора(f doc)> 20 00 Poienele roşii// Крассые
поляны> > 20 04 08> 18 00 Această clipă //Это мгновение> 20.00 Lăutarii//
Лэутары> > 21 04 08> 18 00 Poienele roşii // Крассые поляны> 20 00 Hora mare //
Большая хора(f doc )> > 22 04 08> In memoriam maestrului Emil Loteanu> 18.00
Deschiderea festivă //Торжественное открытие> 18 25 Emil Loteanu // (f..doc) ,
2008 reg. O.Grigoriu> > INTRARE LIBERA !> > > In Memory of the Greatest
Moldovan Film Maker> > Emil Loteanu was a Russian and Moldovan film director,
scriptwriter, and poet. He was born on November 6, 1936 in Socriani, Cernigov.
In 1953-1955 at the MKhat studio school he took acting classes. In 1962
graduated from VGIK, film director department. In 1962 started work at
Moldova-Film studio, where he made his first debut with a heroic revolutionary
film “We’ll be back at dawn”. In 1966 Loteanu filmed “Red Fields”, that became
the starting point of his poetic and romantic trend in film directing. In 1973
he transferred to Mosfilm. “Gypsy Camp Leaves for the Sky” and “My gentle and
tender creature” brought the director true recognition. His films were honored
with numerous international awards. Loteanu published several volumes of poems
and prose.> > Emil Loteanu passed away on April 18. On the 25th he had been
expected in Chisinau to start working on a new film that could have been the
hope of the Moldovan film industry. > > The news of his decease was a shock to
everyone, friends and enemies, those who admired and disliked his work.
Whatever the feelings towards him, Loteanu’s art helped promote Moldova on an
international scale during the Soviet times. Nikita Mikhalkov, a famous Russian
producer, expressed what was probably the most objective point of view. He said
that it is possible not to like Emil Loteanu as a film director, but his gifted
presence in the film industry is indisputable. > > For many people his works
were romance and celebration, which regardless of skin color, age, or gender
everybody seeks. A poet by nature, Loteanu could feel the endless yearning for
beauty and realized a nation’s dream in his films. He was one of those rare
people that knew what their audience needed without market research or
advertising, the type of man that could create art and treat the audience to
it. Like no one else Loteanu possessed the skill of marketing himself and of
building an impressive image. > > One of the things that Emil Loteanu could not
resist was beauty. Beautiful women had an amazing power over him. Some of them,
including Svetlana Toma and Galina Beliaeva, were young actresses he helped
achieve success. To him they were like special works of art, unique creations
that helped reflect the best of what exists on earth and convey an inside world
full of feeling and emotion.> > Loteanu’s was a personality that dominated with
its creativity and profound inspiration. A boundless source of energy made his
stories colorful and exciting even when there was a lack of words to describe
all the traces of feeling. “When I make films, I make good films, not some sort
of rubbish!” he would exclaim, giving people around him the unceasing
impression of a man that could rise to the sky on the strength of his talent
and flamboyancy. > > Some directors acknowledged that Loteanu was the only one
in the Soviet Union who could create spectacular films with perfectly cut takes
and colorful scenes. The question he asked himself was what the right material
for molding a central character would be. And according to Loteanu there were
many leading roles in a movie because even if the actor came on for only ten
seconds, he still had to be the central hero in that brief period of time,
which could account for the strongest impressions from the film.> Before he
became famous Loteanu led a vagrant lifestyle, sleeping in the storage rooms of
the Chisinau Philharmonic and moving from one hostel to another. At the age of
eight he had to face the real world and overcome all the difficulties of being
an independent person. Loteanu’s father, a wealthy Polish miller, was killed at
the end of the war. Escaping the soviet regime Emil and his mother traveled to
Romania. On the way there she lost track of her son. They met years afterwards
in Bucharest when she already had another family. Loteanu did not want to
intrude, and at 18 he returned to Chisinau. After several years as a member of
the Moldovan delegation for the Republic’s Cultural Festival, Loteanu decided
to stay in Moscow. On his next trip to Chisinau Loteanu was already a renowned
maestro. People recognized him in the streets, and those that could catch at
least a glimpse of him felt honored. > > Loteanu was not only a director who
created distinctive film heroes but also a man who progressed with every new
development in his work. He was an ostentatious personality and the biggest
spendthrift, living by the principle “all that is earned should be spent”.
Although he was the first man in Chisinau to own a car, Loteanu gave no great
value to his material possessions. He was loved for his spirit, charm, and
ability to make beauty more tangible for thousands of people.> > By Natalia
Corobco> -- > GMX startet ShortView.de. Hier findest Du Leute mit Deinen
Interessen!> Jetzt dabei sein: http://www.shortview.de/[EMAIL PROTECTED]
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