In memoria lui Loteanu ar bine sa aveti textul si in romana.
M. Tarus
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----- Original Message ----
From: US Vladimir <[EMAIL PROTECTED]>
To: [email protected]
Sent: Friday, April 18, 2008 1:03:49 PM
Subject: [Oberlist] MD* In memoriam Maestrului Emil Loteanu
Vladimir Us
artist & curator
http://www.oberliht.org.md
> Date: Thu, 17 Apr 2008 22:21:20 +0200
> From: [EMAIL PROTECTED]
> Subject: Pentru Oberlist de la Mihai
> To: [EMAIL PROTECTED]
>
> Centrul Cultural Odeon
> str. M. Eminescu, 55
> tel. 22 10 58
>
>
> Repertoriu Неделя памяти Маэстро Емиля Лотяну / In memoriam Maestrului Emil
> Loteanu
>
> 18 04 08
> 18 00 Această clipă// Это мгновение
> 20 00 Lăutarii// Лэутары
>
> 19 04 08
> 18 00 Hora mare //Большая хора(f doc)
> 20 00 Poienele roşii// Крассые поляны
>
> 20 04 08
> 18 00 Această clipă //Это мгновение
> 20.00 Lăutarii// Лэутары
>
> 21 04 08
> 18 00 Poienele roşii // Крассые поляны
> 20 00 Hora mare // Большая хора(f doc )
>
> 22 04 08
> In memoriam maestrului Emil Loteanu
> 18.00 Deschiderea festivă //Торжественное открытие
> 18 25 Emil Loteanu // (f..doc) , 2008 reg. O.Grigoriu
>
> INTRARE LIBERA !
>
>
> In Memory of the Greatest Moldovan Film Maker
>
> Emil Loteanu was a Russian and Moldovan film director, scriptwriter, and
> poet. He was born on November 6, 1936 in Socriani, Cernigov. In 1953-1955 at
> the MKhat studio school he took acting classes. In 1962 graduated from VGIK,
> film director department. In 1962 started work at Moldova-Film studio, where
> he made his first debut with a heroic revolutionary film “We’ll be back at
> dawn”. In 1966 Loteanu filmed “Red Fields”, that became the starting point of
> his poetic and romantic trend in film directing. In 1973 he transferred to
> Mosfilm. “Gypsy Camp Leaves for the Sky” and “My gentle and tender creature”
> brought the director true recognition. His films were honored with numerous
> international awards. Loteanu published several volumes of poems and prose.
>
> Emil Loteanu passed away on April 18. On the 25th he had been expected in
> Chisinau to start working on a new film that could have been the hope of the
> Moldovan film industry.
>
> The news of his decease was a shock to everyone, friends and enemies, those
> who admired and disliked his work. Whatever the feelings towards him,
> Loteanu’s art helped promote Moldova on an international scale during the
> Soviet times. Nikita Mikhalkov, a famous Russian producer, expressed what was
> probably the most objective point of view. He said that it is possible not to
> like Emil Loteanu as a film director, but his gifted presence in the film
> industry is indisputable.
>
> For many people his works were romance and celebration, which regardless of
> skin color, age, or gender everybody seeks. A poet by nature, Loteanu could
> feel the endless yearning for beauty and realized a nation’s dream in his
> films. He was one of those rare people that knew what their audience needed
> without market research or advertising, the type of man that could create art
> and treat the audience to it. Like no one else Loteanu possessed the skill of
> marketing himself and of building an impressive image.
>
> One of the things that Emil Loteanu could not resist was beauty. Beautiful
> women had an amazing power over him. Some of them, including Svetlana Toma
> and Galina Beliaeva, were young actresses he helped achieve success. To him
> they were like special works of art, unique creations that helped reflect the
> best of what exists on earth and convey an inside world full of feeling and
> emotion.
>
> Loteanu’s was a personality that dominated with its creativity and profound
> inspiration. A boundless source of energy made his stories colorful and
> exciting even when there was a lack of words to describe all the traces of
> feeling. “When I make films, I make good films, not some sort of rubbish!” he
> would exclaim, giving people around him the unceasing impression of a man
> that could rise to the sky on the strength of his talent and flamboyancy.
>
> Some directors acknowledged that Loteanu was the only one in the Soviet Union
> who could create spectacular films with perfectly cut takes and colorful
> scenes. The question he asked himself was what the right material for molding
> a central character would be. And according to Loteanu there were many
> leading roles in a movie because even if the actor came on for only ten
> seconds, he still had to be the central hero in that brief period of time,
> which could account for the strongest impressions from the film.
> Before he became famous Loteanu led a vagrant lifestyle, sleeping in the
> storage rooms of the Chisinau Philharmonic and moving from one hostel to
> another. At the age of eight he had to face the real world and overcome all
> the difficulties of being an independent person. Loteanu’s father, a wealthy
> Polish miller, was killed at the end of the war. Escaping the soviet regime
> Emil and his mother traveled to Romania. On the way there she lost track of
> her son. They met years afterwards in Bucharest when she already had another
> family. Loteanu did not want to intrude, and at 18 he returned to Chisinau.
> After several years as a member of the Moldovan delegation for the Republic’s
> Cultural Festival, Loteanu decided to stay in Moscow. On his next trip to
> Chisinau Loteanu was already a renowned maestro. People recognized him in the
> streets, and those that could catch at least a glimpse of him felt honored.
>
> Loteanu was not only a director who created distinctive film heroes but also
> a man who progressed with every new development in his work. He was an
> ostentatious personality and the biggest spendthrift, living by the principle
> “all that is earned should be spent”. Although he was the first man in
> Chisinau to own a car, Loteanu gave no great value to his material
> possessions. He was loved for his spirit, charm, and ability to make beauty
> more tangible for thousands of people.
>
> By Natalia Corobco
> --
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