> Of The Sigil
>
> What does this interpretation mean?  It means that, while
> second-generation
> products must respect your first-generation PI,
> third-generation products
> not only must not, but in all likelihood CANNOT (because the
> second-generation products couldn't include your PI unless they got a
> separate agreement, and thus your PI designation will not
> show up in second
> generation products - meaning that the third generation
> products will be unencumbered by your PI designation).

Your logic seems sound, but the implications might not be as sweeping as you
indicate. On its face this interpretation would appear to allow an
unscrupulous publisher to create an interim work and distribute it through a
low-cost medium such as the web, and then create a third-generation work
based on the interim work. This particular situation might be considered
acting in bad faith, but if not it effectively nullifies all PI designations
that are not copyrightable.
If the interim works were published by a third party such as a web-based
warehouse of OGC it could effectively eliminate the usefulness of PI that is
not also copyrightable.

I think the issue to consider is that copyright is not built on
hard-and-fast rules like those you cite. It is also governed by the burden
of precedent. Take the case of character infringement - if I create a suave
secret agent with immunity from prosecution who works for an arm of the
British government and it isn't a parody, then at some point I am going to
cross the line and be infringing upon the James Bond character. What is that
line? Nobody knows. But the fact remains that while the individual elements
of James Bond are not copyrightable by themselves, when taken together they
at some point become a protectable entity.

It is likely that this would occur in the case you describe. Consider a
first generation work contains PI names, a second generation work does not,
and a third generation work contains many of the same names as they appeared
in the first-generation work. A case might be built that the
third-generation work infringed upon the first work if (when taken as a
group) the original PI names define a protectable fiction. The more
specialized or valuable the names (such as those relating to a particular
fiction setting), the more likely such a case could be built.

I think the lesson to be taken from this is that it is best to PI only those
things you feel strongly about protecting, and not to worry about things
that are merely incidental to your more valuable works. Attempting to
declare absolutely everything possible as PI might actually enable a third
party abuse of your work, rather than making abuse less likely.

-Brad

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