On Fri, Aug 14, 2015 at 2:22 PM, Gerardo @neorigami.com <
[email protected]> wrote:

> For example, we could see this fold design as just an original way to fold
> a leaflet, emphasis in "way"; since it's rather simple there's no good
> reason for others not to take advantage of it. Know what I mean? I'm just
> trying to see it from another perspective so I can take a clear position on
> this subject. Might it be OK for them to just keep on using it?
>

One way to look at the question, for me, anyway, is to consider whether you
feel (or defined in contract) that the job for which the company hired you
was to create some specific items for them, or whether they hired you to
make *and* to show them how to make a leaflet fold. If you're hired to give
them the design, not just the batch of already-folded pamphlets, then that
seems reasonable.

And, a quick reminder of the US copyright law premise:

Copyright can exist for "original works of authorship fixed in any tangible
medium of expression.."  But: "In no case does copyright protection for an
original work of authorship extend to any idea, procedure, process, system,
method of operation, concept, principle, or discovery, regardless of the
form in which it is described, explained, illustrated, or embodied in such
work."  (https://www.law.cornell.edu/uscode/text/17/102)

Generally, this has been interpreted to mean that copyright covers creative
works, not practical/useful works, although a copyright CAN exist in the
aspects of a work that are separable from their utility. (Weird concept,
maybe; think of it like this: if you came up with something creative about
a box - the decorative aspects, the shape or structure that was independent
of its fundamental useful box-ness - you could have a copyright in those
things, but not the box-ness. This is generally considered a "thin," in the
sense of "weak," copyright.)

I also find it helpful to recall that the point of the law was to find a
way to encourage the creative arts by rewarding the creators by giving them
control over the copying/distribution of their works. It's an attempt to
balance the good of the few (creator:"I want to control my work") and the
good of the many (society:"I want more stuff to have and do what I want
with.") It is an artificial construct, not any kind of moral statement
about ownership rights.

Anne
(who is not a lawyer, but married to one, and the breakfast-table
conversations are just full of this stuff... anyone coming over for
breakfast?)

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