Hi,

That is probably a gate which you can use to set a threshold and any sound 
under that level is just blocked allowing silence.
At 06:15 PM 12/11/2005 -0600, you wrote:

>With sports on the radio, compression makes it so you hear more of the 
>announcer and less of the crowd, since stadiums are quite noisy. The crowd 
>will gradually increase in level while the announcer pauses a few seconds 
>but is pushed back down when he speaks again. In music, it tends to add more 
>punch to it so it sounds like the band is hitting their instruments harder 
>or playing louder without the distortion of simply turning the volume up. 
>What I hate is when the background hiss starts to keep rhythm to the music 
>when compressed and get loud right at the end. I wonder what radio does that 
>keeps that from happening as even CD's have noise in them.
>----- Original Message ----- 
>From: "Steve Matzura" <[EMAIL PROTECTED]>
>To: "PC audio discussion list. " <[email protected]>
>Sent: Saturday, December 10, 2005 3:50 AM
>Subject: Re: Wav Hammer in SF
>
>
>> On Sat, 10 Dec 2005 19:56:32 +1100, you wrote:
>>
>>>Well, I haven't used it, but I understand it compresses the sound in some
>>>way, something like normalizing.
>>
>> Normalizing and compressing are two different functions and bear
>> absolutely no relationship betwixt and between.  Compression is the
>> art, and I do mean art, of making soft parts loud and loud partrs soft
>> so you don't have to keep reaching for the volume knob.  Normalization
>> is simply maximizing the amplitude, or volume, of a waveform such that
>> its loudest point is never any louder than a pre-determined value
>> (usually 0dB, some folks push it to +3dB).  No other aspect of the
>> waveform is changed, it's just moved up in whole so that its peaks
>> brush up against that arbitrary value of loudness.
>>
>> Uses for normalization:  Recordings made too low in volume.  Should be
>> normalized to at least 90% of full wave height, leaving a little room
>> for harmonic distortion which could produce voltage levels that would
>> or could overdrive a sound-reproducing device, such as the final
>> output stage of an amplifier, or even a speaker itself, but not
>> register on an oscilloscope as being louder than the specified
>> normalized value (see above).  When normalizing a waveform, it's
>> always a good idea to leave some what's called head-room for just this
>> case and these conditions/circumstances.
>>
>> Uses for compression:  Imagine hearing a recording of a meeting where
>> the main speaker was clear as a bell, but the audience who may have
>> asked questions were down in the sonic mud. Compression would
>> temporarily raise the volume level so the soft parts, the far-away
>> audience members, can be heard when they speak.  Then, when the main
>> speaker starts up again, the volume level is pushed back down so the
>> main speaker doesn't overdrive the recording or playback equipment.
>> Understand that normalization will not help in this case because
>> normalization brings every sound up in volume by the same amount,
>> while compression changes the volume level "on the fly," as much or as
>> little as needed, depending on the characteristics of the waveform.
>>
>> Hope this helps.
>>
>>
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>
>
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