I have done comparative listening tests and I can hear a definite
difference. I'm using 320-bit MP3 mode with central mic (the omnidirectional
mic) on. It definitely adds more base to the recordings and gives a fuller,
richer sound than the Dm-520 or 620.  


John Riehl 

-----Original Message-----
From: [email protected] [mailto:[email protected]]
On Behalf Of Dave Scrimenti
Sent: Thursday, July 14, 2011 2:47 AM
To: PC Audio Discussion List
Subject: Re: comparison between the LS-7 and DM-620

I'm trying to figure out which recorder to get also. Not sure whether to go 
with the DM4 or LS7. If you get the LS7, I encourage you to do some blind 
listening tests to determine how much difference you notice with various 
sampling rates with this machine. I know it's good, but considering its 
price, Olympus could only spend so much on mics, pres, and converters. 
Anyway, be interested to hear your thoughts after listening.
----- Original Message ----- 
From: "Hamit Campos" <[email protected]>
To: "'PC Audio Discussion List'" <[email protected]>
Sent: Wednesday, July 13, 2011 11:11 PM
Subject: RE: comparison between the LS-7 and DM-620


> I'll just be doing out door stuff. As far as spending hundreds or 
> thousands
> on mikes and mixers and stuff like that goes, hell to the yeah I would if 
> I
> could and had it. I've even told Neal Eweres so. I told him I'd get one of
> the Sound-devices recorders if I had the thousands for them. Actually I 
> can
> play 96000KHZ 24 bit files. I've already made some with Sound Forge 10. No
> offence taken. I just wanted to know your thoughts is all. But, yeah, I've
> even gotten away with 32 bit audio with Audacity too. But, that's for
> another time. Point is, I'm a purest, and I want to record things at the
> purest sound possible. But yeah, don't feel bad about what you said, it's
> your feelings and that's about all, and that's all I wanted to know. What
> you felt.
>
> -----Original Message-----
> From: [email protected] [mailto:[email protected]]
> On Behalf Of Dave Scrimenti
> Sent: Wednesday, July 13, 2011 12:28 AM
> To: PC Audio Discussion List
> Subject: Re: comparison between the LS-7 and DM-620
>
> I don't know which one you should buy, but I certainly wouldn't go for the
> ls7 for the 96/24 sampling rate.What are you going to record that you
> believe requires such a high sampling rate, especially since you'll 
> usually
> have to downsample to 44.1/16 anyway? And are you planning to spend 
> hundreds
>
> or thousands on microphones and pre-amps so you'll actually notice the
> difference? I don't mean to sound harsh or sarcastic, but I don't see the
> necessity of going to 96/24 with what is essentially a consumer recorder.
> Even Neal Ewers in his podcast says he rarely uses those high rates.
> ----- Original Message ----- 
> From: "Hamit Campos" <[email protected]>
> To: "'PC Audio Discussion List'" <[email protected]>
> Sent: Tuesday, July 12, 2011 11:37 PM
> Subject: RE: comparison between the LS-7 and DM-620
>
>
>>I thought as much. The DM-620 sounded to me like a glorified DM-2 when I
>> first read about it. So, at the time I said no,
>> I'l stick to trying for the DM-4 thanks. But then along comes the LS-7 
>> and
>> makes me think again. It's cheaper then the DM-4, it sounds better, and 
>> it
>> can record in full LPCM 96000KHZ at 24 bit. That's blue-ray audio. I 
>> don't
>> know. We'll see, but I think I'll get this one instead. I mean, the 
>> catchy
>> things about the DM-4 are the text to speech, speech recognition, and the
>> DAISY player. But, it can only record in DVD quality namely 48000KHZ at 
>> 16
>> bit. As much as I like the 3 above mentioned things about the DM-4, I'm
>> really thinking about the LS-7. What do you guys think. Which should I go
>> for in your opinion?
>> -----Original Message-----
>> From: [email protected] 
>> [mailto:[email protected]]
>> On Behalf Of John Riehl
>> Sent: Tuesday, July 12, 2011 9:42 PM
>> To: [email protected]
>> Subject: comparison between the LS-7 and DM-620
>>
>> I've purchased both the Olympus Ls-7 and the DM-620 and want to post a
>> brief
>> comparison and review of the two recorders.
>> The short version: I'm going to return the DM-620 to amazon.
>> Although both recorders have three mics, the Ls-7 has better mics -- the
>> two
>> side mics stick out more than the DM-620 mics. there is no comparison re
>> the
>> quality of voice recordings; the LS-7 gives a much richer, life-like bass
>> sound to recordings, even when recording in MP# mode.
>> The DM-620 does not have a "pre-record" mode, which buffers two seconds 
>> of
>> recording; the LS-7 has this mode.
>> The DM-620 also does not have a 100HZ or 300HZ low-cut filter; you can
>> either turn the low cut filter on or off on the DM-620.
>> The LS-7 has a 100HZ and 300HZ low cut filter choice.
>> both recorders have the same button configuration, which, in my opinion,
>> is
>> inferior to the Dm-420 or Dm-520. the record,/pause and stop buttons are
>> on
>> the front face of both recorders, not on the side as they are on the
>> DM-520.
>> The case on both recorders is terrible; it is really a sleeve. It does 
>> not
>> have a flap that opens and closes, nor does it have the "kickstand"
>> feature
>> like the dM-520 case.
>>
>> Both recorders have the same level of voice guidance; 95% of the menu
>> choices talk. Neither recorder gives you system memory info, nor can you
>> set
>> the clock by voice as far as I know.
>> But all of the record, lay, file, etc, selections speak on both 
>> recorders.
>>
>>
>> In short, if you are looking for an excellent digital recorder, spend a
>> few
>> more bucks and get the LS-7. You won't be sorry.
>> .
>>
>> John Riehl
>>
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