Hey PD-List,

Has the throw~/catch~ system been designed to have a different available
headroom than standard [+~] and [*~] objects?

I've been designing a few polyphonic patches and have decided to use
throw~/catch~ instead of hard-wiring the summing bus.  I've found that when
the signal approaches 1.0, distortion occurs.  Has this been designed as
such for a reason?

Cheers,
~Brandon
_______________________________________________
[email protected] mailing list
UNSUBSCRIBE and account-management -> 
http://lists.puredata.info/listinfo/pd-list

Reply via email to