Hey PD-List, Has the throw~/catch~ system been designed to have a different available headroom than standard [+~] and [*~] objects?
I've been designing a few polyphonic patches and have decided to use throw~/catch~ instead of hard-wiring the summing bus. I've found that when the signal approaches 1.0, distortion occurs. Has this been designed as such for a reason? Cheers, ~Brandon
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