That was one thing I wasn't sure about, although it does help with the kind of 
'passive listening' part, something like Cage or Glass, where there is a huge 
amount of repetition and the value of the piece is discovered over time, almost 
as a meditative process. It's not for everyone, but it does lend itself to 
computer music

> Subject: Re: [PD] Pd "monosymphonia"
> From: [email protected]
> To: [email protected]
> CC: [email protected]
> Date: Tue, 28 Jun 2011 01:04:45 +0200
> 
> On Tue, 2011-06-28 at 00:16 +0200, [email protected] wrote:
> > <[email protected]
> >This is probably because I created it on the mac, there may be a syntax
> >issue with other operating systems...
> [cut]
> 'it's just in the name'
> i copied the patch from the text attachment and gave it just a name.
> but it does a SEND to itself called buildGen, alas..
> 
> so it worked.
> i find the concept interesting,
> this specific soundscape less.
> i guess because for hearing the development the waiting for the 'new'
> part gets everytime longer, while being obliged to sit through the 'old'
> parts again and again and again.
> 
> rolf
> 
> 
> 
> 
                                          
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