That was one thing I wasn't sure about, although it does help with the kind of 'passive listening' part, something like Cage or Glass, where there is a huge amount of repetition and the value of the piece is discovered over time, almost as a meditative process. It's not for everyone, but it does lend itself to computer music
> Subject: Re: [PD] Pd "monosymphonia" > From: [email protected] > To: [email protected] > CC: [email protected] > Date: Tue, 28 Jun 2011 01:04:45 +0200 > > On Tue, 2011-06-28 at 00:16 +0200, [email protected] wrote: > > <[email protected] > >This is probably because I created it on the mac, there may be a syntax > >issue with other operating systems... > [cut] > 'it's just in the name' > i copied the patch from the text attachment and gave it just a name. > but it does a SEND to itself called buildGen, alas.. > > so it worked. > i find the concept interesting, > this specific soundscape less. > i guess because for hearing the development the waiting for the 'new' > part gets everytime longer, while being obliged to sit through the 'old' > parts again and again and again. > > rolf > > > >
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