Ther's a wonderful article here: Blesser, B. (2001). An interdisciplinary synthesis of reverberation viewpoints. Journal of Audio Engineering Society 49(10): 867-903.
At some point I was able to find this online, but I can't anymore - perhaps you can get it on paper at an old-fashioned library. cheers Miller On Wed, Feb 06, 2019 at 11:23:24PM -0200, Alexandre Torres Porres wrote: > Hi, I've read miller's book and I've always wanted to know a bit more about > reverbs. I also want to better explain these examples to my students. One > thing I wonder is about the choice of delay lengths for the early > reflections and also for the recirculating delay lines. They seem quite > arbitrary, right? > > All I could make of it is that these numbers are just broken down so they > don't become multiples of each other, resulting in a rather complex mesh of > reflection times. > > But also, it seems that a "room size" parameter can be controlled by the > size of the delay lines, right? > > Anyway, I'd appreciate if I could learn more about these abstractions and > also some cool references for study (such as "digital reverb modelling for > dummies"). > > cheers > _______________________________________________ > [email protected] mailing list > UNSUBSCRIBE and account-management -> > https://lists.puredata.info/listinfo/pd-list _______________________________________________ [email protected] mailing list UNSUBSCRIBE and account-management -> https://lists.puredata.info/listinfo/pd-list
