Somewhere out there is a Fiboverb I made that tunes [fdn~] with scaled segments of fibonacci sequence. Neighbours have relative coprimality giving a wonderfully clear, uncoloured overall reverb, but with nice "character" depending on where you start in the sequence.
I recall at the time I was fascinated by Golomb rulers and Dirichlet/Riemann sequences in a mad quest to find crafty ways to make cool reverbs, alas the patches are lost to the winds and my mind is a stranger to the maths once again... but I suggest its a fertile to place to go digging as I had some nice results. best, Andy On Wed, Feb 06, 2019 at 11:23:24PM -0200, Alexandre Torres Porres wrote: > Hi, I've read miller's book and I've always wanted to know a bit more about > reverbs. I also want to better explain these examples to my students. One > thing I wonder is about the choice of delay lengths for the early > reflections and also for the recirculating delay lines. They seem quite > arbitrary, right? > > All I could make of it is that these numbers are just broken down so they > don't become multiples of each other, resulting in a rather complex mesh of > reflection times. > > But also, it seems that a "room size" parameter can be controlled by the > size of the delay lines, right? > > Anyway, I'd appreciate if I could learn more about these abstractions and > also some cool references for study (such as "digital reverb modelling for > dummies"). > > cheers > _______________________________________________ > [email protected] mailing list > UNSUBSCRIBE and account-management -> > https://lists.puredata.info/listinfo/pd-list
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_______________________________________________ [email protected] mailing list UNSUBSCRIBE and account-management -> https://lists.puredata.info/listinfo/pd-list
