I think you'll like working with a 25x scope. With fine grain film, it's
much easier to pick out a texture that defines "in focus." And with
grainy films like TMZ, you can see the edge of the grain and really dial
it in. I worked with a 10X scope for a while, and while it was not the
equal of the Peak, I had a tough time seeing the kind of detail that
helps determine when you're right where you want to be.
Paul
Shel Belinkoff wrote:
>
> Ahh - something I wanted to hear. I'm considering the
> Bestwell Microsight to supplement the Peak.
> --
> Shel Belinkoff
> mailto:[EMAIL PROTECTED]
>
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