Collin seems to have figured it out.
Bravo Collin!!!

William Robb

----- Original Message -----
From: "collinb" Subject: RE: 35mm SUCKS! Try 4X5


> I'm going to chime in again with some thoughts.
>
> Lens coverage information
> http://www.graflex.org/lenses/lens-spec.html
>
> Resolution information
> http://www.hevanet.com/cperez/testing.html
>
> The particular lens can make a perception difference here.
>
> A very good medium format lens, say on Pentax 67, will hit around 90 lp/mm
> A mediocre medium format lens, like a Yashica D, will hit around 40 lp/mm
>
> A good LF lens, Super Symmar XL, is up at that 80+ lp/mm range.
> A decent LF lens, Fujinon-W 135/5.6 (70s vintage), is around 70 lp/mm.
> A mediocre LF lens, like a Wollensak, will be about 35 lp/mm, and really
> bad corners!
>
> There's so much information on those large (6x7 & 4x5) negs
> that the minimal enlargement to 11x14 makes little difference when
> quality lenses are involved on both parts.
> A mediocre lens on either unit will make a clear difference.
>
> 4x5 to 11x14 is only a (roughly) 3x enlargement.
> 6cm x 7cm to 11x14 is a (roughly) 5x enlargement.
> So there's not much to compare because the difference isn't being pushed.
> The film will hold everything the lenses will resolve.
>
> It's not surprising that the difference isn't immediately visible with
> quality lenses
> on both formats.  The detail is all there.  The tonality difference will
> show up @ 16x20,
> with a good 4x5 lens really shining.  But @ 11x14 & up, I suspect you'll
> find that corners
> are more a problem.  It's like the difference of an average zoom and that
> Vivi 90-180
> flat field zoom.  The image just feels better.  A good wide-coverage 4x5
> lens gives that.
> (Which is why I picked the Fujinon-W 135/5.6.  Wide circle, excellent
> resolution,
> modern multi-coating, and relatively cheap @ about $250 shipped.  And why
I
> print with
> longer lenses in the darkroom--keep those corners from pulling any little
bit.)
>
> In many ways, 6x7 is far more practical when prints stay below 16x20.
> You lose the facility of Zone control on a shot-by-shot basis, but
> with a good neg you still get an excellent print.
>
> http://www.cicada.com/pub/photo/zs/
>
> The Zone System is nice, but it's a practice all its own.  I don't use it
> because
> I don't have the time, patience, or funds to keep testing density curves.
> Rather, for me a good neg == a good print.
> And (even cheap) 4x5 allows some practical lens movement.

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