Okay, I'll keep this short cuz it's the witching hour and slumber beckons.

Driving home tonight, I found the light near the end of my journey
absolutely stunning. Plenty of cloud around, but a rift had opened
allowing the sunshine through as it slowly settled towards the horizon
(hey, could be the opening lines of a great book here). I was awed.

In the last few minutes of its life, the sun was still blazing away
through the rift, surrounded by a haze of yellow and orange. In the other
direction the trees across the fields were on fire. The hues on the
trunks and premature buds were magical. I dashed inside and gathered up
the tripod. Quickly I opened up the rucksack and retrieved the 14mm and
stashed it into a jacket pocket. I pulled out the 70-200 and mounted it
onto the DSLR, caps and hoods shooting across the room. I sprinted
outside and, wary that I had only a few minutes left, headed out and
across the lane to my neighbour's. A long gravel drive there would give
me the ideal vantage point.

I reached it just as the absolute climax of the sun's rays were scorching
the foliage at near horizontal incidence. Fumbling with giddiness, the
lens mount was slammed home, the camera hanging on for dear life. I swung
into the sun, lowered my eye to the viewfinder and steadied for a shot.
But wait -  what's this? No viewfinder information?

D'oh. It's digital, dummy. You gotta switch it on! Too many years
wielding MXs. Wayward digits groped for the button as the birds were
screaming at me, 'Hurry up - it's now or never!'

Click. On. At last....

I lowered my eye to the viewfinder and steadied for a shot (this
Groundhog Day?) and still no viewfinder info. Wha.....?

Of course, many cameras will not work without batteries. Many will, but
many will not. None more so than digital ones. My two were happily sat on
my desk in the charger, keeping warm. Dawning realisation, I look up as
the sun is now heading straight into a cloud the size of New York. The
birds are all falling about laughing.

I couldn't have written a better script. The last shot would have been a
wide one of me standing there in the gravel drive, camera on tripod,
looking up going: 'D'oh!', and one of those huge pyramid-shaped weights
with '2 tons' written on the side falling on me from a height.

Cotty

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