----- Original Message -----
From: "Mike Johnston" <[EMAIL PROTECTED]>
To: "William Robb" <[EMAIL PROTECTED]>
Sent: March 12, 2001 11:20 AM
Subject: Re: See ya!


> Bill,
> Thanks.
> Listen, I've already unsubscribed, but I had one last message
in my out box
> that I forgot to post. I guess I can't post from off-list (is
that right?).
> Anyway, would you mind passing it along? Half of it will be of
iinterest to
> people, the other half is just an answer to Chris's question
about what
> people shoot, which is--typically for me--too long.
>
> Thanks in advance,
>
> --Mike
>
>
>
>
> >>>
> I've already unsubscribed, but two little items of business I
should follow
> through on before I disappear:
>
> First, the Pentax MX reliability survey--I didn't tabulate all
the answers
> because a number of them were verbal and anecdotal, but
generally the 22
> respondants reported less reliable operation than I had
anticipated. Only 4
> people said their MX's were bulletproof and an equal number
said the
> reliability was unacceptable; the predominant answer was "not
as reliable as
> expected."
>
> The other thing that emerged from the survey is that most
people who
> answered are not using their MXs much any more--either they
are not using
> them at all or are using them in a secondary role.
>
> Fully six people mentioned that they found the K1000 more
reliable than the
> MX.
>
>
> Second, Dan wrote:
>
> > So, what do you shoot? And why that?
>
> For 20 years now I've shot 35mm black-and-white for myself. I
would say I
> basically shoot out of curiosity. I'm interested in how
photographs work and
> what they mean, and I try a lot of odd things in order to find
out more
> about what makes a good photograph.
>
> I also like equipment, mainly lenses, and I do a fair amount
of shooting
> just to find out how different lenses "look" and behave in a
variety of
> situations. I love this kind of experimenting too.
>
> I'm interested in photography mainly as a recording medium. I
take pictures
> that might be considered "diary" shots of real life. I go in
with the
> realization that most of them won't "turn out" to be "good"
photographs,
> which is okay with me.
>
> My shooting at this point has dropped down below 100 rolls a
year which is
> the lowest amount of shooting I've done since 1982. I make
maybe 600 prints
> a year, maybe a tenth of which are fine prints on 8x10 or
11x14. My favorite
> part of the process is workprinting, making quick'n'dirty
8x10's on RC paper
> to see what various negatives look like. I love the sense of
rediscovery,
> seeing what worked and what didn't. I love looking through my
stacks of
> workprints, too. Naturally as a former custom printer I can
work very fast
> (15-30 work prints in a few hours is about average) and people
not
> infrequently tell me that my work prints look better than
their final
> prints. When I do final prints I make maybe 2-3 prints in the
same time it
> takes to do ten times as many work prints. I'm a better
printer than I am a
> shooter.
>
> The photographs I'm interested in least are "standard" or
"stock" or
> "pretty" shots, and I'm allergic to anything that is dishonest
or faked. I
> would much rather make an honest photograph than a pretty one
or one that
> other people will think is "good." Despite having had a public
role in
> photography for a number of years as a writer and editor, I
see my own
> photography as purely a personal hobby and I try not to engage
in any
> activity that would make my work more public--I haven't
accepted a
> commission for money since I quit doing professional work in
1993, and I
> don't exhibit. It's not that I mind doing these things, or
that I don't
> think they're good to do, but I just like the feeling of
freedom that comes
> with just working for myself and I've been trying to guard
that.
>
> Buh-buh-ba-duh dat's all, Folks!
>
> Adieu,
>
> --Mike
>
>

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