You're right. After I take 36 (well, actually, about 38, 'cause I can stretch film and get those extra couple of frames out of every roll) shots, I rewind the film into the cannister, and take it to my lab. I then say to the owner, "Hey, Rob, develop this with contacts, and I'll be back in a couple of days to look at them, and decide which ones I want you to print up."

I guess my point is, for some, taking the photograph is quite close to the end of the process. For others, it's only the beginning. Lots and lots of Great Photographers have had little to do with the development/printing process, other than to give the film to the lab, and have their personal lab guy develop, then do up prints of the "keepers".

regards,
frank

"The optimist thinks this is the best of all possible worlds. The pessimist fears it is true." -J. Robert Oppenheimer




From: "John Francis" <[EMAIL PROTECTED]>

That's not the point, really. The capture of the image doesn't end when you
trip the shutter; that's almost only the start of the process. So, given the
latent image on the film (or in the memory), how can one best complete the
visualisation? <snip>

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