This is a piccy I took a few months ago when I was still learning the ins and outs of the *ist D (and, for that matter, SLR photography on the whole!).
http://davidavid.whatsbeef.net/citropa.jpg
I'm a frogger BTW - I find that stomping around in swamps in the dark and wet, looking for my amphibian friends is a good way to spend an evening. I think this was my first frogging outing with the new camera.
The frog is the Blue Mountains Treefrog, Litoria citropa. One of us Sydney froggers' faves.
*ist D, tamron 90mm/2.5 + 2x TC, inbuilt flash.
Anyway, the image was rather underexposed, and WB was off (a bit of yellowish headtorch light got in there). The frog however was in the best pose of all my shots. I originally payed little attention to the pic, but eventually decided to see what I could do with it. Playing with the levels and hue/saturation I eventually got it so that the greens weren't yucky and yellow and overall cooled the image a bit. Also did some selective work on areas (eg. the green around the face) that got a bit excited by the exposure 'push processing' (correct term?). Possibly would have been even better in RAW (not to mention the ease with which you can play with RAW...)
There's another reason for posting this - I wanted to ask if you can get a nice *non-black* background readily in night shots. I've come to realise the power of this effect, and am thouroughly a convert. My next purchase is going to the the AF360fgz for which I'll make a bracket that'll hold it in a similar position to Mark Cassino's arrangement. I suppose that with backgrounds that aren't far off it'd be possible.
Just have to try it and see. One worry is that with a single light source the shadows will be fairly deep - but then having the flash close to the barrel of a long macro lens will also help remedy this.


P.S. Accidentally bought the eyepiece magnifier fb on ebay (-:

David

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