--- Malcolm Smith <[EMAIL PROTECTED]> wrote: 
 
> Many folk state the instant capture and review of
> the image is the all
> important feature, and being able to e-mail a
> picture immediately a 'must
> have' today. Even I know if I have got the shot I
> want with my LX, so the
> immediate review of the shot isn't a major
> importance to me and pictures I
> have taken and e-mailed straight away I have done so
> more or less because I
> can. I will continue to use digital as another
> format.
> 

Well, Malcolm,

That's a very interesting observation.  Immediate
feedback is a huge drawing card for many digitalians. 
Paul Stenquist mentioned that in another thread this
morning, and even posted a lovely example of a series
of photos that he produced with the assistance of such
feedback.

For me and the type of photography I often do, that
feature is less important than others.  I shoot in
public quite often.  I'm lucky if I can fire off 4 or
5 (usually less) before a fluid situation changes into
something that no longer interests me.  I never ask my
subjects to pose or go back to a previous position, or
come walking up the street again, as spontaneity is
normally required for what I do.  Once the moment
passes, it ain't coming back.

So, that instant feedback wouldn't do much for me.

I would be loathe to delete any images in the field,
for instance, to make more room in the memory.  I
often have to look at contacts over and over to decide
what I do and don't want to print, and often it's only
after revisiting old contacts months or years old that
I think I see something of value in a frame.

I wonder if, due to the foregoing, digital and it's
"instant disposablity" might be a bad thing for me.

I must admit that the ability to send e-mail images
within minutes of pressing the shutter release would
be great for family snaps or vacation pix.  I wouldn't
mind getting a little digi-p&s like those
Optios-in-a-mint-can things.  I had fun playing with
everyone else's at GFM, that's for sure.

cheers,
frank



=====
"Your first 10,000 photographs are your worst"
********
"Of course it's all luck"
  --  Henri Cartier-Bresson

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