Humm Reala anyone? --- Caveman <[EMAIL PROTECTED]> wrote: > Dave, > > Since you don't have so many exposures on one roll, > what about taking > several flavours with you and decide at the scene > which one would be > best suited. Those that you won't use will find a > nice home in your > fridge until you find a good use for them. I would > also add a roll of > Velvia just for the fun of it. > > [EMAIL PROTECTED] wrote: > > > Thanks for that guys. > > I do remember trying some Portra 160 and maybe the > 400VC when i was searching for a film > > that i > > liked in the 6x7.(settled on Reala but the Portra > was good IIRK) Seems to me that i did > > not poo poo it > > to much.<vbg> > > > > Sounds like a good way to go. Some Portra in the > 6x7 and some Kodak 100vs or Provia f 100 > > in the > > K1000 and some B&W in the PZ-1(or maybe visa > versa) > > > > Dave > > > > > On 2 Sep 2004 at 9:09, Paul Stenquist wrote: > > > >>>I used Portra 400VC in my 6x7. Negative film > scans very nice, and it's > >>>much more forgiving. And Portra colors pop. > > > > > > > > Then Robb said: > > > > > >>Got to agree here too, on longer trips I generally > take two 67 bodies, one > >>loaded with Provia 100F and the other with Portra > 400VC for when the light is > >>dull and I need to squeeze off hand held shots, > works a treat. > >> > >> > >>Rob Studdert > >>HURSTVILLE AUSTRALIA > >>Tel +61-2-9554-4110 > >>UTC(GMT) +10 Hours > >>[EMAIL PROTECTED] > >>http://members.ozemail.com.au/~distudio/publications/ > >>Pentax user since 1986, PDMLer since 1998 > >> > > > > > > > > > > > > > >
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