Many of those researgentes don't know what B&W is, so they use chromogenic B&W film and color materials. Yesterday I was at a local art supply and framing store, a customer was having a B&W print from a "Professional"
photographer framed. It was printed on color material and had a decidedly red cast to it. But it was monochrome,
(well sort of if you squinted your eyes and didn't engage your brain).


Shel Belinkoff wrote:

OTOH, we are now seeing, it seems, a resurgence in B&W.  Maybe I'm reading
it all wrong, but in my mind, the signs are there.  New films have come
out, old ones seem to be ressurected and given a new push, some recent
articles have appeared in various places touting B&W.  So, maybe there's
some hope yet.  Or maybe I'm a dreamer.

Shel




[Original Message]
From: William Robb <[EMAIL PROTECTED]>






My own thought (I realize that I may be wrong, I only work in the film processing industry so I doubt if I have a clue about the direction the industry will go, I am only viewing trends) is that the consumer film industry is pretty much dead in the water in a leaky ship with a busted bilge pump.
The ship is going down, and there isn't anything that is going to stop it from happenning.
The pro film sector is a barge tied to the leaky ship, and when the ship sinks, it will take pro film with it, since one is towing the other along.


William Robb










--
I can understand why mankind hasn't given up war. During a war you get to drive tanks through the sides of buildings and shoot foreigners - two things that are usually frowned on during peacetime.
--P.J. O'Rourke

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