Indeed, a key attribute of these films is that you need not commit the entire roll to one ISO setting. Rather, you can choose your setting, frame by frame, without fear that you will under- or overexpose the other frames. Alin Flaider <[EMAIL PROTECTED]> wrote: Actually, none is 400 ASA precisely. Both Kodak and Ilford are variable 100-800 ASA speed films, with a "marketing" peak of 400. One can shoot at any speed he likes better the grain, tone range, contrast, etc. - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
- Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film William Robb
- Re: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film tom
- Re: Chromogenic B&W Film William Robb
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Re[2]: Chromogenic B&W Film William Robb
- Re: Chromogenic B&W Film Paul . Stregevsky
- Re: Chromogenic B&W Film Shel Belinkoff
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film Rob Studdert
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film Paul . Stregevsky
- Re: Chromogenic B&W Film Shel Belinkoff
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film William Robb

