On 21 May 2001, at 9:45, [EMAIL PROTECTED] wrote: > Indeed, a key attribute of these films is that you need not commit the > entire roll to one ISO setting. Rather, you can choose your setting, frame > by frame, without fear that you will under- or overexpose the other frames. Gee Paul, I hope Shel isn't following this thread any longer :-) Cheers, Rob Studdert HURSTVILLE AUSTRALIA Tel +61-2-9554-4110 UTC(GMT) +10 Hours [EMAIL PROTECTED] http://www.ozemail.com.au/~distudio/publications.html - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
- Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film William Robb
- Re: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film tom
- Re: Chromogenic B&W Film William Robb
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Re[2]: Chromogenic B&W Film William Robb
- Re: Chromogenic B&W Film Paul . Stregevsky
- Re: Chromogenic B&W Film Shel Belinkoff
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film Rob Studdert
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film Paul . Stregevsky
- Re: Chromogenic B&W Film Shel Belinkoff
- Re[2]: Chromogenic B&W Film Alin Flaider
- Re: Chromogenic B&W Film Shel Belinkoff
- Re: Chromogenic B&W Film William Robb
- Re: Chromogenic B&W Film Tom Rittenhouse
- RE: Chromogenic B&W Film Rob Brigham
- RE: Chromogenic B&W Film Rob Brigham

