It just seems "right" to me. I can see the colors and tones throughout the process, and there are no surprises when converting at the end of the editing process. As you know, Rob, my technical skills and knowledge are pretty minimal, and this just "feels right" to me. It wouldn't surprise me if there's a better way, or an easier way, but I am happy in my ignorance and compulsive work processes. One day someone may show me an alternative, I'll slap my forehead, and gasp at the simplicity of the new-to-me technique and wonder aloud why I hadn't thought of it. OTOH, I can't think of a thing that's not right with the process. And as long as I can get what I see on the screen on the final print, I'm happy.
Shel > [Original Message] > From: Rob Studdert <[EMAIL PROTECTED]> > On 4 Mar 2005 at 5:42, Shel Belinkoff wrote: > > > I generally convert to the lab's profile when I start editing an image, and use > > that profile throughout from start to finish. Likewise for any other profile I > > may use (like Adobe RGB, sRGB) > > What lead you to adopt this mode of colour management in editing?
