Frank, the only thing that jumps out at me is that I would prefer his left hand be further down the instrument & separated from his face. As it is now, it makes me think he's picking his nose! I'd also like it better if there was no shadow.
Kenneth Waller -----Original Message----- From: frank theriault <[EMAIL PROTECTED]> Sent: Apr 2, 2005 1:57 PM To: PDML <[email protected]> Subject: PAW/PESO: Double Bass Well, some of you may recall my trying to get some decent photos of my friend's jazz combo, with mixed (or at least unexciting results). A couple of weeks ago, I was at the same bar, armed only with an MX (and therefore a flash on "auto" and no ttl flash capability). Keeping some comments in mind, and trying to get something other than a mere "documentary" look to it all, I came up with this: http://www.photo.net/photodb/photo?photo_id=3247360 I won't bother linking to the other attempts, but if you saw them: better? worse? at least going in the right direction? If you didn't see the others, it might be valuable for me to hear how it is as a "stand alone" shot, without reference to any prior attempts. thanks in advance, frank -- "Sharpness is a bourgeois concept." -Henri Cartier-Bresson ________________________________________ PeoplePC Online A better way to Internet http://www.peoplepc.com
