Actually only Jazz photography. Also there is one that requires the venue to be
painted flat black and the lighting level to be kept at the same level as
provided by a new moon.
Aside to original poster.: If your are working with the band, you have lots of
options that plain old customers don't. Increased lighting levels, Use of
serious strobe lighting, etc. All the rules about stage photography assume your
photography is secondary to the performance. Doing photos for the band at small
venues, on slow nights, you can probably get things anyway you feel you need
them for the shoot. At megabuck performances that is of course not true, too
much chance of loss of revenues.
graywolf
http://www.graywolfphoto.com
"Idiot Proof" <==> "Expert Proof"
-----------------------------------
Doug Brewer wrote:
I'm starting to think I missed the memo that said "All Stage Photography
Must Be Done With Grainy B/W Film."
Rob Studdert wrote:
Do you really need to shoot B&W at all? Are you going to be personally
printing the B&W or will they be sent out for print? All my stage work
I now shoot using the *ist D with great success. Some images I post
process as B&W others the colour makes the shot and I don't have to
fart about with two cameras in the heat of the action.
Rob Studdert
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