Paul..don't do that again! I'm finally beginning to come down from an
oxygen high gasp and my pulse rate has just now fallen all the way down
to 160/min. CRUEL!
A couple double shots of Pinch (over melting ice) may help me sleep
later. At least it's worth a try. =)

Jack



--- [EMAIL PROTECTED] wrote:

> Kodak has introduced a new ISO 50 color negative film that provides
> excellent contrast, super-fine grain and good tolerance of over and
> under expsosure. What's the catch? It's a motion picture film. Dubbed
> Kodak Vision2 50D/5201/7201 it's currently available where better
> cinematographers shop. Like other movie films, it's designed to
> transfer well to digital. We call that scanning. Perhaps we'll see a
> still camera version of this stock now that still photo processing
> has become quite similar to movie camera processing in terms of
> digital transfer. But I doubt it. The return on investment would
> probably be too small. If you really want to try it, you might try
> contacting RGB on La Brea in Hollywood. They package movie film for
> still camera use and process it. I haven't contacted them in years,
> but in the past they didn't provide the very latest stocks. 
> 
> By the way, from what I've read the cinematographers are not yet
> moving to digital in droves. Digital movie cameras apparently can't
> take advantage of RAW as can the still shooters, so exposure latitude
> suffers. Remember, a movie camera has to be capable of recording at
> least 100 frames per second when needed (although most work is shot
> at about 30 fps). That takes some serious processing speed if you're
> shooting digital. But the newest digital cameras are a huge
> improvement over the previous offerings, so it's probably just a
> matter of time.
> Paul
> 
> 



                
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