>for certain types of action, you don't have to shoot quick bursts, but is 
>that a reflection of knowing the camera's limits and not trying to exceed 
>them, or because you simply aren't interested? 

Not interested.
As I stated in a previous post I'm tying to get past the documentation shot. I 
think for some people, new to in- field animal shots, just capturing 
photographically, animals in the wild, is a real hoot. I've pretty much done 
that with the animals in Denali & I seek to move to the next level, so I am 
selective in what I capture - does this cause me to miss some action ? 
Occasionally yes. Do I still follow an animal with my lens during a sequence? 
Sure. I just try to anticipate the right moment to press the release.

>but a sequence can be more powerful in telling a story.

No argument here.

Kenneth Waller

-----Original Message-----
From: Herb Chong <[EMAIL PROTECTED]>
Sent: Nov 10, 2005 9:21 PM
To: [email protected]
Subject: Re: SV: Any reason not to buy a *istD?

i can imagine a picture 
sequence of spawning salmon leaping a waterfall where you might want to 
capture a leap and a failure from beginning to end. one picture in the 
middle isn't the same impact as 10 or 15 in a row. think of WR's posted 
sample of an adult bald eagle attacking and snatching a fish from a 
juvenile. one image might catch the peak of the action, but a sequence can 
be more powerful in telling a story.

Herb....
----- Original Message ----- 
From: "Kenneth Waller" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Thursday, November 10, 2005 9:49 AM
Subject: Re: SV: Any reason not to buy a *istD?


> I shot similar moving sequences of caribou, moose, bear, beaver & 
> ptarmigan during my last trip to Denali in 04 and IIRC the buffer was only 
> a very few times an issue.
> I may be more selective in what I shoot.




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