Tom,

Not at all. No offense taken.
Actually, Kostas and I enjoyed an aminable and thorough ringing out
this subject off list. I got started there, to be more certain he saw
the promised post, and I believe we ultimately came to a common
agreement as to the color characteristics of Velvia. At least as
reproduced in the example image.

Jack

--- Tom C <[EMAIL PROTECTED]> wrote:

> Hi Jack,
> 
> I wasn't drawing any connection between sharpness and color fidelity.
>  What 
> I found unusual was that the photo shown as an example did not look
> sharp 
> and that could, pardon the pun, otherwise color viewers perceptions
> of the 
> film.  Sorry. I must have not seen your comments regarding scan
> quality.
> 
> I agree, it's hard to look through others eyes.  My mother constantly
> calls 
> things green that I perceive as yellow.  Of course I'm right...
> because the 
> auto manufacturer calls the car gold, not green.
> 
> Personal preference, I suppose, is the reason why so many films
> exist.
> 
> Sorry if I came across as harsh or soap-boxish.
> 
> Tom C.
> 
> 
> 
> 
> >From: Jack Davis <[EMAIL PROTECTED]>
> >Reply-To: [email protected]
> >To: [email protected]
> >Subject: RE: PESO: Velvia example for Kostas
> >Date: Sun, 11 Dec 2005 06:50:19 -0800 (PST)
> >
> >I mentioned that this was scanned on an Epson 3170 in support of my
> >earlier disclaimer of the scanner's ability to make a satisfactory
> scan
> >of a 35mm. (all my 35mm scans are done commercially). In my
> inventory,
> >this particular shot is unsurpassed in terms of revealed fine
> detail.
> >I am, however, wondering what connection you're making between
> >sharpness and color fidelity. May be a minor point that you can take
> up
> >with yourself.
> >It was shot on a misty day in a wooded area in very flat light.
> >The kind of day you look for to produce vivid true colors.
> >There is no way of my seeing through your color cones and no way
> will I
> >attempt to convince you of what you're "seeing".
> >
> >Jack
> >
> >
> >--- Tom C <[EMAIL PROTECTED]> wrote:
> >
> > > OK... Jack... now show us a shot that's in focus or where there's
> not
> > > a
> > > breeze... I think the colors of the leaves and such are just
> fine...
> > >
> > > obviously shot in low light with a lot of contrast, hence the
> very
> > > dark
> > > almost silhouette... but I don't find the colors, which are
> supposed
> > > to be
> > > bright and vibrant based on the subject, unnatural or
> unappealing.
> > >
> > > The fact that Velvia has been by far and away the leading
> landscape
> > > nature
> > > film for just about the last 15 years says that many people,
> > > including those
> > > making a living, and 'pros' don't agree.
> > >
> > > I was expecting you'd show us a picture where the colors are
> grossly
> > > distorted.  This doesn't look that way to me.
> > >
> > > I've been using Velvia since it came out and can display quite a
> > > number of
> > > shots that have had widespead appeal (from those who have viewed
> > > them).
> > >
> > >
> > >
> > > Tom C.
> > >
> > >
> > >
> > >
> > > >From: "Shel Belinkoff" <[EMAIL PROTECTED]>
> > > >Reply-To: [email protected]
> > > >To: [email protected]
> > > >Subject: RE: PESO: Velvia example for Kostas
> > > >Date: Sat, 10 Dec 2005 12:32:38 -0800
> > > >
> > > >Ugh!  Yech!  Barf!
> > > >
> > > >Shel
> > > >"You meet the nicest people with a Pentax"
> > > >
> > > >
> > > > > [Original Message]
> > > > > From: Jack Davis
> > > >
> > > > > Kostas, here is the example of Velvia you requested. Forgot
> link
> > > and
> > > > > was wrong in a second attempt.
> > > > > You may have read my comments in the earlier attempt.
> > > > >
> > > > > Jack
> > > > >
> > > > > http://photolightimages.com/aspupload/detail.asp?ID=96
> > > >
> > > >
> > >
> > >
> > >
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam protection around
> >http://mail.yahoo.com
> >
> 
> 
> 


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