I shoot photos for magazines and stock. Most of my work now is for a
Sunday supplement mag called "At Home." It's currently going to four US
cities. I do two articles a month for them. I also do a few for
enthusiast car magazines like "Mopar Action" and "Super Chevy." I'm on
the stringer list for the New York Times and get a few scattered
assignments from them. I also pick up a few scattered assignments from
ad agencies. Some through a rep company here in Detroit. My stock is
sold through alwaysstock.com. Photography is not my primary source of
income, but it has recently become a bigger chunk.
I am now shooting exclusively digital. RAW only, converted with PSCS. I
have two *istD bodies and keep 13 lenses in my working box, including
three of the new DA zooms and ten assorted primes. I used to shoot
medium format with a Pentax 6x7 and 35mm with an LX and MX. I have
portable monolight studio equipment (SP Excalibur 3200s) that I use in
my basement studio and on location. And I think that answers all your
questions.
On Dec 13, 2005, at 8:16 PM, Scott Loveless wrote:
Shel's question got me thinking about all the "pros" I see with Canon
and Nikon hardware. Who's using their Pentax gear to make a buck or
two, what gear are you using, are you using film or digital or both,
and what kind of jobs are you doing?
On 12/11/05, Shel Belinkoff <[EMAIL PROTECTED]> wrote:
I was thinking about this last night. It seems that most everyone on
the
list, at least from the usual gang of "regular posters," has made the
move
to digital. Who hasn't, and who have no plans to do so in the near or
foreseeable future?
Shel
"You meet the nicest people with a Pentax"
--
Scott Loveless
http://www.twosixteen.com
--
"You have to hold the button down" -Arnold Newman
