I never blamed anybody or anything.
I was declineing from recommending the *ist D for action photography.
To someone who was obvioulsy not very experienced in this field (otherwise
he wouldn't have asked, now would he?).
So, I naturally presumed he did not have a lot of experience or knowledge
about action photography.

I have based my recommendation (or lack of the same) on:
1) My experience from using this camera for almost 30.000 shots of different
kinds.
2) The specs of this camera is not impressive compared to that of some
alternative choises, featuring faster everything (Write Speed, Auto Focus,
FPS).
3) The fact that no sports photographer I have ever heard of is using this
camera supports this.

That's reasonably sane advice, I think.

I wasn't offering advice regarding the personal shooting styles, skills of
the craft etc.
These skills etc. will  / or will not be present no matter what camera is
used, right?

And I know, that whatever attempts I have ever made to shoot action
photograps with the *ist D, was never very rewarding.
The *ist D simply doesn't perform fast enough in my opinion. I wouldn't
recommend it for this kind of work!
I'd use something a little faster.

Others are of course most welcome to advice differently.

Regards

Jens Bladt
http://www.jensbladt.dk

-----Oprindelig meddelelse-----
Fra: John Francis [mailto:[EMAIL PROTECTED]
Sendt: 25. februar 2006 09:35
Til: [email protected]
Emne: Re: *IST-D / DS & High speed action!


On Fri, Feb 24, 2006 at 11:26:48PM -0800, Bruce Dayton wrote:
> Hello Jens,
>
> One thing really surprises me - why would anyone ask for your advice
> concerning sports photography?

You know, that's the question I was asking myself.

Then, when I saw the example photographs he posted, which supposedly
showed what was wrong with the behaviour of the D, all I saw was an
example of someone who didn't know how to use the camera appropriately.

But, as we see here quite often, it's the people who don't actually
do sports photography/digital photography with old lenses/whatever
who are the experts in the subject, and who know far more about it
than those of us who actually have a lot of relevant experience.

Oh, well. I guess if you want a camera that relieves you of the awful
responsibility of actually having to think about what you are doing
you should just buy whatever Ken Rockwell is recommending today.
But then who do you blame when your pictures still end up like crap?

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