When I bought mine it was to use on film cameras but I
never did because right after that I purchased an *ist
DS.  It's light, has good bokeh and like others said
images come out sharp.  On a digital camera you lose
the wide end so not really good for scenic shots but
good enough for a walkabout lens.  But now that I have
the 16-45mm coming I don't know if I will use this as
much.


Francis

samples (office friendly):

http://www.pbase.com/freckles/image/61914548
http://www.pbase.com/freckles/image/61914566



On Wed, 26 Jul 2006, Aaron Reynolds wrote:
------------------------------
Message: 10
Date: Wed, 26 Jul 2006 0:22:00 -0400
From: "Aaron Reynolds" <[EMAIL PROTECTED]>
Subject: FA 28-70 f4 AL
To: [email protected]
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset="ISO-8859-1"

So I hear that a lot of people like this lens, other
than its tendency 
to split apart.

I've never been one for zooms, and so I never
considered buying it.  
However, I've come across one.  Someone convince me to
keep it, or not 
keep it.  I'm unlikely to ever use it on film (because
it won't fit on my 
67).  I have an SMC-M 28mm f2.8, a Super Takumar 35mm
f2.0 and an SMC-F 
50mm f1.4 in the range this fellow covers.

Tell me why I'd want to keep it.

-Aaron



------------------------------



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