> 
> From: DagT <[EMAIL PROTECTED]>
> Date: 2006/09/06 Wed AM 09:43:56 GMT
> To: Pentax-Discuss Mail List <[email protected]>
> Subject: Re: Advantage of increased colour depth?
> 
> In theory I think you could gain 4 stops. One stop is x2 more light, so x2^4 
> should translate to 4 stops.
> 
> However, that requires a linear intensity response from the sensor and the 
> same size of the steps. If you just put 16bit within the same dynamic range 
> that is covered by the 12 bit you may get better nuances but not dynamic 
> range....
> 
> DagT

That's always been my interpretation.

>  
> > Fra: "Jostein Øksne" <[EMAIL PROTECTED]>
> > Dato: 2006/09/06 Wed AM 11:20:59 CEST
> > Til: "Pentax-Discuss Mail List" <[email protected]>
> > Emne: Re: Advantage of increased colour depth?
> > 
> > The math is easy. There are as you say 2^4 more values available to
> > describe each tone in a channel, and hence the information recorded at
> > each pixel is mapped to a larger span of potential values. And that's
> > even before the actual colour is computed through the Bayer-thingy.
> > 
> > The main reason for my appreciation of RAW-files over JPG or 8-bit
> > TIFF is the difference between 8 and 12-bit colour depth. It gives
> > more latitude, just like print film did over slide film.
> > 
> > I still feel more comfortable about using f-stops to describe
> > latitude, and it would just be nice to know what to expect in a more
> > real-world terms of reference... :-)
> > 
> > Jostein
> > 
> > On 9/6/06, Boris Liberman <[EMAIL PROTECTED]> wrote:
> > > Jostein,
> > >
> > > I think it is easy. With 16 bits vs 12 bits per pixel you have 2^4 -
> > > 16 times more information recorded. What use does it make - it would
> > > greatly depend on RAW processing software and matching of camera
> > > electronics with RAW converter number crunching.
> > >
> > >
> > > --
> > > Boris
> > >
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> > >
> > 
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> > 
> 
> 
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