----- Original Message ----- 
From: "Godfrey DiGiorgi"
Subject: Re: Interview w/Pentax exec



>
> I can't see that tonality is any problem at all: although it takes a
> fair bit of rendering skill and work, 12-bit digital has at least as
> much tonal range as the best films.

I find this hard to believe based on what I see coming off my printer vs 
the Zone VI Brilliant prints I have hanging on my walls.
Granted, I haven't invested a whole bunch of time learning computer 
based B&W rendering, but to be honest, my B&W film work is pretty much 
plug and play, so my expectation is that digital should be pretty easy 
as well.

>
> Detail resolution ... it depends on the size of the print you want to
> make. Landscapes tend to be large in size and large-scale prints from
> digital capture aren't quite there yet with only up to 39Mpixel to
> work with compared to 4x5.

I haven't ever had access to a 39mp camera, and I expect that something 
with that many megapixels would be mondo expensive, which makes it non 
existent from my perspective.

William Robb



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