Studio control derived, from such experience, certainly takes advantage
of available technology.
Thanks!

Jack
--- [EMAIL PROTECTED] wrote:

> No metering. My strobes were in a fixed position, and after using
> them for four or five years, I can usually guess the exposure. Then,
> I just shoot a frame at the stop I want to use, have a look at the
> image and histogram and adjust the strobe power as necessary. I
> avoided moving the lights as much as possible, so I wouldn't have to
> recheck exposure. I love having an lcd that actually gives you a good
> look at the shot. I also like being able to view separate histograms
> for each rgb color.
> Paul
>  -------------- Original message ----------------------
> From: Jack Davis <[EMAIL PROTECTED]>
> > Thanks, Paul. Absence of any catch lite on background probably
> insured
> > by either center weighted or spot metering. 
> > This doesn't require you spending the time to respond, just musing
> at
> > the moment.
> > I received my K10D yesterday and your image has really gotten me
> > pumped.
> > 
> > Jack
> > --- Paul Stenquist <[EMAIL PROTECTED]> wrote:
> > 
> > > Very little adjustment in the RAW converter or PhotoShop. The
> device 
> > > 
> > > is a flashlight of sorts that can e propped up to direct the
> light.  
> > > The bakcground is just black seamless. The eements are sitting on
> the
> > >  
> > > seamless.
> > > Paul
> > > On Nov 30, 2006, at 11:13 PM, Jack Davis wrote:
> > > 
> > > > Paul,
> > > > What is that "light" thing? Love the texture and contrast,BTW.
> What
> > > > sort of background arrangement to so effectively suspend the
> target
> > > > elements? Serious PS?
> > > >
> > > > Jack
> > > >
> > > > --- Paul Stenquist <[EMAIL PROTECTED]> wrote:
> > > >
> > > >> A shot from today's studio session. It's an ad promo, one of
> 34
> > > >> shots. The performance of the camera at ISO 100 pleased me
> very
> > > much.
> > > >>
> > > >> The lens was the FA 50/1.4, f11, 1/180th, studio strobes
> firing
> > > into
> > > >>
> > > >> umbrellas. This is cropped to about 70% of frame. (Art
> directors
> > > can
> > > >>
> > > >> get very nasty when you don't leave them some crop decision on
> the
> > > >> shot. That was tough to do with the 6 megapixel camera.)
> > > >>
> > > >> http://www.photo.net/photodb/photo?photo_id=5276764&size=lg
> > > >>
> > > >> Paul
> > > >>
> > > >> -- 
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> > > >>
> > > >
> > > >
> > > >
> > > >
> > > >
> > >
> >
>
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> > 
> >  
> >
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