I take it you never shot slide film, JCO.
I did, and the dynamic range of the *istD was a welcome increase.

Jostein


On 12/13/06, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> You may be able to undo the "knee" on
> the film captures but its going to be
> impossible to undo the clipping on
> the digital capture when the dynamic
> range of the scene exceeds the digital system's
> (sensor) recording capability.
> jco
>
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
> graywolf
> Sent: Wednesday, December 13, 2006 11:21 AM
> To: Pentax-Discuss Mail List
> Subject: Re: The "Film Look"
>
>
> Luckily we can adjust that in Photoshop. It does help some.
>
>
> J. C. O'Connell wrote:
> > But the "look" is similar. I forgot to
> > post that in either of these cases
> > the film grain is NOT an issue. Its more
> > the tonal range captured and the look
> > of the extreme highlights. Film captures
> > more but the curves are not straight,
> > there is a knee on the hightlights. Whereas
> > digital can't capture as much range but there
> > isnt a knee, its straight right up to
> > the point of clipping...
> > jco
> >
> > -----Original Message-----
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
> > Of Jack Davis
> > Sent: Tuesday, December 12, 2006 9:15 PM
> > To: Pentax-Discuss Mail List
> > Subject: RE: The "Film Look"
> >
> >
> > I've had the same experience. Stills, by their nature, may lend
> > themselves to more scrutiny.
> >
> > Jack
> > --- "J. C. O'Connell" <[EMAIL PROTECTED]> wrote:
> >
> >> My interpretation of the "film look" is like
> >> watching a high quality movie ( 70mm print )
> >> vs. a high defintion live video broadcast
> >> ( more like the "digital" look ).
> >> jco
> >>
> >>
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