Excellent question, although the same question can be asked concerning any
other super brands - like Ferrari, Gucci, Porsche, Harley Davidson etc.
Perhaps Pentax is not really a super brand (a brand for which people are
prepared to pay an over price, because of the prestige etc.). But Pentax IS
a widely well known and respected brand.
When a company like Pentax merges with another company or buys it (like
Imacon/Hasselblad, Konica/Minolta, Volvo/Ford etc.) it just means they are
trying to make a reasonable sound business decision. Naturally, Pentax had
to consider if this would damage the company reputation or not. And of
course weather it wouild be profitable or not. The answer to the latter is
obvious - Pentax must have considered this carefully, I'm sure. I don't know
about the first question, but I guess HOYA is largely regarded as a company
marketing excellent photographic filters for consumers as well as pro's.

In the sixties-seventies Pentax WAS a super brand. The Spotmatics were a
huge success. At that time Pentax sold more cameras than Nikon and Canon put
together.
Those days ar long gone.

At first Nikon took a leading role. Roomers say that Nikon gave away cameras
to journalist all over the world - in the sixties - making marketing a major
issue. And they did of course develop nice cameras and excellent lenses as
well. Canon took a leading role at the time the Canon EOS 1v was introduced.
It was faster (AF) than any other camera. Almost every sports journalist in
the world bought one.

Since the sixties Pentax has:
1) Lived on utilizing the Spotmatic aera fame.
2) Marketed userfreindly, affordable cameras, without really competing with
the major players; Nikon and Canon, in the pro market section.
3) Sold LOADS of high end P&S and consumer cameras.
4) From time to time released (almost) pro-speced/enthusiast SLR cameras
like the LX, PZ1, *ist D
5) From time to time released excellent (pro-speced) glass (like the F
1.4/50mm, A* 1.4 85mm, FA 2.8 80-200mm, FA 2.8 300mm, FA 31mm, FA f77mm and
others)
6) Kept on releasing less excellent, but still useable lenses for the
consumer market (F 4-5.6 35-80mm for 4x6" prints for the family album).
7) Released pro-speced, excellent Medium Format cameras (6x7 and 645).

Pentax is targeting the consumer and enthusiasts markets as the number one
priority (that's where the money is, they seem to think).
And Pentax is from time to time competing successfully in the segment of
consumer/enthusiast cameras (DS/K100D/K10D), but without trying to compete
in the pro market segment (Full Frame, 8 FPS, Huge amount of F.2.8 zooms,
fast AF, latest technology for computerized control of cameras and images.
color profiles etc).

Pentax is "high end, userfriendly consumer and enthusiast cameras"  - and
(from time to time) "excellent or superior glass and camera features".

I don't see any signs of changes in this policy.
And hey, doesn't Hoya fit this policy like a glove?

Regards
Jens




Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-----Oprindelig meddelelse-----
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Mark
Cassino
Sendt: 22. december 2006 02:07
Til: Pentax-Discuss Mail List
Emne: What Makes a Pentax a Pentax?


With the Hoya acquisition of Pentax, I'm pondering a fundamental
question - what could Hoya do to make me feel that my future Pentax (or
Ho-Tax) is a true Pentax camera, and what could they do to make me feel
the opposite?

Obviously, there's the lens compatibility issue. Pentax has really
distinguished itself by retaining backwards compatibility with virtually
all K mount lens, even if you lose a few features when using them. (And
even if they produce really bad chromatic aberrations on a digital body.)

Otherwise - what makes Pentax - Pentax? Is it SMC? The devotion to ~40mm
pancake lenses? 'Unusual' sharpening of JPG's in the DSLR? The strange
ergonomics of the Mz-S?

I like Pentax. I've been about as loyal to them as I've ever been to any
brand, simply because I could count on them to do what was right in
their eyes and damn the pressure for conformity. For that, I respected
them. They were the Gary Cooper of the camera world - low key,
conservative, but doing what they chose to do, thank you.

It's a question I ask myself - what makes Pentax unique? And can Hoya
capture that?

- MCC

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Kalamazoo
www.markcassino.com
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